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東洋的歴史画の研究 : 菱田春草筆《王昭君》を中心に
http://hdl.handle.net/10112/16152
http://hdl.handle.net/10112/161523bbea911-a83b-46ea-9104-38fe411fabfb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20180401-24.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-07-30 | |||||
| タイトル | ||||||
| タイトル | 東洋的歴史画の研究 : 菱田春草筆《王昭君》を中心に | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | A Study of Oriental Historical Painting : Focusing on HISHIDA Shunso "Wang Zhaojun" | |||||
| 著者 |
日並, 彩乃
× 日並, 彩乃 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 4626 | |||||
| 姓名 | Hinami, Ayano | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | This paper is the consideration of HISHIDA Shunso (1874-1911) "Wang Zhaojun", striving for two perspectives of (1) costumes and (2) imagery and expression. He is the one of the painters from the mid-Meiji Era to the end of the year and in just two decades as a painter, reformed Japanese art in the Meiji Era under the OKAKURA Kakuzo (1863-1913). During the Meiji Era, European policy was almost synonymous with modernization for Japan, which actively embraced Western culture, although conversely, Japan's awareness of traditionalism also intensified at the same time, producing Japanese painting. The historical paintings, which were popular during the Meiji 20s and 30s, incorporate Western-style depictions of three-dimensional space and a technique of depictive human portrayal. They related the accurate history found in occupational accidents and magnificent antiquities; aiming to reproduce the same in an ideal and sometimes frank manner. Oriental art such as a China story was included and linked to multicultural work created by Japanese people on Chinese themes and using Western techniques. A famous attempt by painters around OKAKURA includes a "Morotai", but this is also a historical painting of the Oriental theme. Shunso depicted Wang Zhaojun as a Tang beauty and was not overly interested in historical accuracy. His historical paintings also outlined the theme of Chinese culture conveyed in Japan and were intended to convey emotion. He selected the most sentimental scene from the story of Wang Zhaojun and expressed the volume of the persons by Western techniques. He expressed "noble", prioritizing expression and techniques over historical considerations. This attitude emphasizing stories over facts differs from historical paintings where the history of Japan is concerned. Through consideration of these paintings, I try to raise questions concerning studies of oriental historical paintings. | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 51, p. A273-A293, 発行日 2018-04-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0004709X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 菱田春章 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | HISHIDA Shunso | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 王昭君 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Wang Zhaojun | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 歴史画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | History painting | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 岡倉覚三 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | OKAKURA Kakuzo | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 天心 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Tenshin | |||||
