{"created":"2023-05-15T12:13:49.946090+00:00","id":2086,"links":{},"metadata":{"_buckets":{"deposit":"221e430b-86d6-4fd7-9d04-590aacbc1da0"},"_deposit":{"created_by":1,"id":"2086","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2086"},"status":"published"},"_oai":{"id":"oai:kansai-u.repo.nii.ac.jp:00002086","sets":["239:247:298"]},"author_link":["4626","4625"],"item_10_alternative_title_20":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Study of Oriental Historical Painting : Focusing on HISHIDA Shunso \"Wang Zhaojun\""}]},"item_10_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-04-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"A293","bibliographicPageStart":"A273","bibliographicVolumeNumber":"51","bibliographic_titles":[{"bibliographic_title":"関西大学東西学術研究所紀要"}]}]},"item_10_description_4":{"attribute_name":"概要","attribute_value_mlt":[{"subitem_description":"This paper is the consideration of HISHIDA Shunso (1874-1911) \"Wang Zhaojun\", striving for two perspectives of (1) costumes and (2) imagery and expression. He is the one of the painters from the mid-Meiji Era to the end of the year and in just two decades as a painter, reformed Japanese art in the Meiji Era under the OKAKURA Kakuzo (1863-1913). During the Meiji Era, European policy was almost synonymous with modernization for Japan, which actively embraced Western culture, although conversely, Japan's awareness of traditionalism also intensified at the same time, producing Japanese painting. The historical paintings, which were popular during the Meiji 20s and 30s, incorporate Western-style depictions of three-dimensional space and a technique of depictive human portrayal. They related the accurate history found in occupational accidents and magnificent antiquities; aiming to reproduce the same in an ideal and sometimes frank manner. Oriental art such as a China story was included and linked to multicultural work created by Japanese people on Chinese themes and using Western techniques. A famous attempt by painters around OKAKURA includes a \"Morotai\", but this is also a historical painting of the Oriental theme. Shunso depicted Wang Zhaojun as a Tang beauty and was not overly interested in historical accuracy. His historical paintings also outlined the theme of  Chinese culture conveyed in Japan and were intended to convey emotion. He selected the most sentimental scene from the story of Wang Zhaojun and expressed the volume of the persons by Western techniques. He expressed \"noble\", prioritizing expression and techniques over historical considerations. This attitude emphasizing stories over facts differs from historical paintings where the history of Japan is concerned. Through consideration of these paintings, I try to raise questions concerning studies of oriental historical paintings.","subitem_description_type":"Other"}]},"item_10_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"4626","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Hinami, Ayano"}]}]},"item_10_publisher_34":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"関西大学東西学術研究所"}]},"item_10_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN0004709X","subitem_source_identifier_type":"NCID"}]},"item_10_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02878151","subitem_source_identifier_type":"ISSN"}]},"item_10_version_type_17":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"日並, 彩乃"}],"nameIdentifiers":[{"nameIdentifier":"4625","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-05-20"}],"displaytype":"detail","filename":"KU-0400-20180401-24.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KU-0400-20180401-24.pdf","url":"https://kansai-u.repo.nii.ac.jp/record/2086/files/KU-0400-20180401-24.pdf"},"version_id":"37ecd7f0-9b8c-4f44-83cb-959e6bd0fe27"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"関西大学","subitem_subject_scheme":"Other"},{"subitem_subject":"Kansai University","subitem_subject_scheme":"Other"},{"subitem_subject":"菱田春章","subitem_subject_scheme":"Other"},{"subitem_subject":"HISHIDA Shunso","subitem_subject_scheme":"Other"},{"subitem_subject":"王昭君","subitem_subject_scheme":"Other"},{"subitem_subject":"Wang Zhaojun","subitem_subject_scheme":"Other"},{"subitem_subject":"歴史画","subitem_subject_scheme":"Other"},{"subitem_subject":"History painting","subitem_subject_scheme":"Other"},{"subitem_subject":"岡倉覚三","subitem_subject_scheme":"Other"},{"subitem_subject":"OKAKURA Kakuzo","subitem_subject_scheme":"Other"},{"subitem_subject":"天心","subitem_subject_scheme":"Other"},{"subitem_subject":"Tenshin","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"東洋的歴史画の研究 : 菱田春草筆《王昭君》を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"東洋的歴史画の研究 : 菱田春草筆《王昭君》を中心に"}]},"item_type_id":"10","owner":"1","path":["298"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-07-30"},"publish_date":"2018-07-30","publish_status":"0","recid":"2086","relation_version_is_last":true,"title":["東洋的歴史画の研究 : 菱田春草筆《王昭君》を中心に"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-05-15T21:06:33.754519+00:00"}