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近世近代の日本絵画における美術交渉
http://hdl.handle.net/10112/7327
http://hdl.handle.net/10112/7327e52a002f-ca4a-4e08-814f-0ea8cb2ef8de
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20120400-01.pdf (1.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-11-19 | |||||
| タイトル | ||||||
| タイトル | 近世近代の日本絵画における美術交渉 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| その他のタイトル | ||||||
| その他のタイトル | Modern and contemporary Japanese painters influenced by the inflow of foreign culture | |||||
| 言語 | en | |||||
| 著者 |
中谷, 伸生
× 中谷, 伸生 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | In the history of Japanese painting from the Edo Period to Modern Age, the style of painting underwent considerable change and development due to the exposure of other cultures, with an evolutionary transition from one culture (China) to another (Western countries). Tracing the Japanese history of painting during the later Edo period and onward, an overall change to "Modernization" progressed slowly on the whole, but individual paintings, however, influenced by the inflow of the Western aesthetics showed rapid changes. In fact, the changes in the expression and motifs running through individual works are not quite as simple as we think. Intermittent, back-and-forth movements were found in the works created under the influence of other Western and Asian countries such as France and China. Japanese painters, who were conscious of their indigenous culture, sought for a unique painting technique based on their own regional traditions. In this article, the author introduces Japanese painters who were active in the modern and contemporary age and who addressed their specific and individual problems in their works. In addition, the underlying events effecting developments in the history of art such as "propagation", "influence", and "cross-cultural exposure" are discussed in terms of "contact and assimilation with other cultures in art". The Japanese painters discussed in this article are AISEKI, SATO Gyodai, KANO Eigaku, and YOROAZU Tetsugoro, and their acculturated works are presented for discussion. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 関西大学東西学術研究所紀要 巻 45, p. 1-19, 発行日 2012-04 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0004709X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| 言語 | ja | |||||
