@article{oai:kansai-u.repo.nii.ac.jp:00001899,
 author = {中谷, 伸生 and Nakatani, Nobuo},
 journal = {関西大学東西学術研究所紀要},
 month = {Apr},
 note = {In the history of Japanese painting from the Edo Period to Modern Age, the style of painting underwent considerable change and development due to the exposure of other cultures, with an evolutionary transition from one culture (China) to another (Western countries). Tracing the Japanese history of painting during the later Edo period and onward, an overall change to "Modernization" progressed slowly on the whole, but individual paintings, however, influenced by the inflow of the Western aesthetics showed rapid changes. In fact, the changes in the expression and motifs running through individual works are not quite as simple as we think. Intermittent, back-and-forth movements were found in the works created under the influence of other Western and Asian countries such as France and China. Japanese painters, who were conscious of their indigenous culture, sought for a unique painting technique based on their own regional traditions. In this article, the author introduces Japanese painters who were active in the modern and contemporary age and who addressed their specific and individual problems in their works. In addition, the underlying events effecting developments in the history of art such as "propagation", "influence", and "cross-cultural exposure" are discussed in terms of "contact and assimilation with other cultures in art". The Japanese painters discussed in this article are AISEKI, SATO Gyodai, KANO Eigaku, and YOROAZU Tetsugoro, and their acculturated works are presented for discussion.},
 pages = {1--19},
 title = {近世近代の日本絵画における美術交渉},
 volume = {45},
 year = {2012}
}