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清末における中国漆の日本輸出について
http://hdl.handle.net/10112/4303
http://hdl.handle.net/10112/4303b34b3284-fc11-4d6d-824e-81039d6dbe1e
名前 / ファイル | ライセンス | アクション |
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28-feng.pdf (1.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2011-04-21 | |||||
タイトル | ||||||
タイトル | 清末における中国漆の日本輸出について | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | The Exportation of Chinese Varnish to Japan in the Late Qing Period | |||||
著者 |
馮, 赫陽
× 馮, 赫陽 |
|||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | The damp and mild climate of East Asia provides the ideal environment for varnish trees, and it is no surprise that the art of lacquer originated in this region. Chinese and Japanese lacquer work represent the highest level of this art; however, when focusing on the interaction of lacquer technique between China and Japan, the role varnish played should not be ignored. Japan is famous for its lacquer work. From the Edo period, the Japanese varnish merchants actively sought Chinese varnish from the Chinese merchants trading in Nagasaki. With the expansion of the Japanese lacquer industry during Meiji period, the demand for varnish became increasingly urgent, a result of which was the importance attached to the importation of Chinese varnish by the Japanese lacquer industry. |
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書誌情報 |
東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies 巻 4, p. 447-465, 発行日 2011-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18827748 | |||||
出版者 | ||||||
出版者 | 関西大学文化交渉学教育研究拠点(ICIS) | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 中国漆 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 産地 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 輸出 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 日清貿易 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 日本漆器改良 | |||||
シリーズ | ||||||
関連名称 | Vol.4 |