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董其昌と日本書家たち
http://hdl.handle.net/10112/16411
http://hdl.handle.net/10112/1641191b5bc56-ac96-42c1-bd02-2abbd7fd5828
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20181130-07.pdf (5.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-12-13 | |||||
| タイトル | ||||||
| タイトル | 董其昌と日本書家たち | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Dong Qichang and Japanese Calligraphers | |||||
| 著者 |
高, 絵景
× 高, 絵景 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 30704 | |||||
| 姓名 | Gao, Huijing | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Largely due to the Nakasaki trade between China and Japan, many Chinese paintings and calligraphy works and rubbings found their way to Japan during the Edo Period. Among these works were a large number created by the late Ming Dynasty's calligraphers, such as Dong Qichang and Wang Duo, who not only broke though the ancient style but also advocated new techniques and romantic styles in calligraphic representation. This paper focuses on Nagai Todō and Ike no Taiga, both of whom learned directly from Dong Qichang, as well as laying the foundations of the epidemic stage, they also became pioneers of the Karayō style. Thus, this paper attempts to analyze the interaction between Dong Qichang and the Japanese calligraphers from an analysis based on their works and records; in particular, the techniques of perspective and the characteristics of form will be looked at. Through this approach, it is possible to suggest that the Japanese calligraphers were influenced by Dong Qichang, and will additionally attempt to look at the resultant evolution and development of this form. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 東アジアの言語と表象 (East Asian languages and Representations) | |||||
| 書誌情報 |
文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures 巻 8, p. 111-134, 発行日 2018-11-30 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 21874395 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12712795 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Dong Qichang | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Karayō style | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Calligraphy and painting integral | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
