@article{oai:kansai-u.repo.nii.ac.jp:00012775,
 author = {高, 絵景 and Gao, Huijing},
 journal = {文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures},
 month = {Nov},
 note = {Largely due to the Nakasaki trade between China and Japan, many Chinese paintings and calligraphy works and rubbings found their way to Japan during the Edo Period. Among these works were a large number created by the late Ming Dynasty's calligraphers, such as Dong Qichang and Wang Duo, who not only broke though the ancient style but also advocated new techniques and romantic styles in calligraphic representation. This paper focuses on Nagai Todō and Ike no Taiga, both of whom learned directly from Dong Qichang, as well as laying the foundations of the epidemic stage, they also became pioneers of the Karayō style. Thus, this paper attempts to analyze the interaction between Dong Qichang and the Japanese calligraphers from an analysis based on their works and records; in particular, the techniques of perspective and the characteristics of form will be looked at. Through this approach, it is possible to suggest that the Japanese calligraphers were influenced by Dong Qichang, and will additionally attempt to look at the resultant evolution and development of this form., 東アジアの言語と表象 (East Asian languages and Representations)},
 pages = {111--134},
 title = {董其昌と日本書家たち},
 volume = {8},
 year = {2018}
}