WEKO3
アイテム
ブルーノ・タウトと色彩
https://doi.org/10.32286/00027188
https://doi.org/10.32286/000271887296578c-0259-4ab0-b8fc-71329705b331
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20220701-09.pdf (1.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-08-25 | |||||
| タイトル | ||||||
| タイトル | ブルーノ・タウトと色彩 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00027188 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Bruno Taut and Colors | |||||
| 著者 |
蜷川, 順子
× 蜷川, 順子 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 51804 | |||||
| 姓名 | Ninagawa, Junko | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | German Architect Bruno Taut arrived at Tsuruga Port on May 3rd, 1933, escaping his Nazi-controlled native country. His partner Erika and he were taken to Katsura Imperial Villa the very next day. This rather rushed schedule transpired because Isaburo Ueno, the person who first welcomed them in Japan, wanted to give Taut a birthday present by showing him one of the most beautiful pieces of architecture in the nation. As Ueno expected, Taut was fascinated by the villa and soon afterward published an excellent essay on it. Taut is still known as the first foreign architect to have recognized the beauty of the villa as manifested by its simple minimalist construction. This beauty resonated with the constructivist architecture movement emanating from Russian futurism, which was centered on contemporary social demands and the industrial tasks required to be accomplished by the new regime. However, Taut’s reputation in Europe was not yet associated with such constructivist ideas. Rather, it was vested in the expressionistic colors he had applied to houses for workers and to traditional civic facilities. His contemporary Japanese modernists appear to have elaborately concealed his affinity for the use of color. However, he did not abandon this preference and could thus not attain much architectural work in Japan. His sole exceptional architectural creation in Japan was the annex of the Hyuga Villa in Atami. This structure is distinguished by its blending of constructivist ideas and expressionist colors and anticipates the forthcoming color-field arts (a branch of Abstract Expressionism that flourished in the postwar American period). This paper will trace the transition of Taut’s color-related ideas and practices and will explore the varied influences on his use of color: Expressionism, Divisionism, color theories, and the Garden City Movement. It will also scrutinize the last phase of his career, which transpired in Japan. | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 55, p. A113-A145, 発行日 2022-07-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0004709X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ブルーノ・タウト | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 色彩建築 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 熱海の日向邸 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 桂離宮 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ドイツ表現主義 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Bruno Taut | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Colored Architecture | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Hyuga Villa in Atami | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Katsura Imperial Villa | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | German Expressionism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
