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  1. 0400 東西学術研究所
  2. 関西大学東西学術研究所紀要
  3. 第56輯

元禄期における『徒然草』の版本挿絵

https://doi.org/10.32286/0002000108
https://doi.org/10.32286/0002000108
0f542804-8b4c-43c2-803f-41bf65bc0e94
名前 / ファイル ライセンス アクション
KU-0400-20230701-03.pdf KU-0400-20230701-03.pdf (2.5 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2023-08-24
タイトル
タイトル 元禄期における『徒然草』の版本挿絵
言語 ja
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.32286/0002000108
ID登録タイプ JaLC
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
その他のタイトル
その他のタイトル Illustrations for the Printed Edition of "Tsurezuregusa" in the Genroku Period (1688-1704)
言語 en
著者 村木, 桂子

× 村木, 桂子

e-Rad 20814966

ja 村木, 桂子

en Muraki, Keiko

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概要
内容記述タイプ Other
内容記述 "Tsurezuregusa" is an essay written by Yoshida Kenko (ca. 1283-1352) in the late Kamakura period. Providing momentum for the revival of classical literature which grew in the early Edo period (1603-1868), "Tsurezuregusa" was studied and annotated by court nobles and other educated people in the cultural salons presided over by the cloistered Emperor Gomizunoo (1559-1680). With the rise of the publishing culture, these annotations became the subsequent source material for many printed editions and resulted in many books and annotations. Especially during the Jokyo and Genroku periods (1684-1702) , more than 13 editions, including illustrated editions, were published and proved widely popular among the townspeople, making "Tsurezuregusa" a classic literary treatise known to all. Previous studies have pointed out instances in which the illustrations of "Nagusami-gusa" (1652), one of the printed editions of "Tsurezuregusa," became the source of illustrations for Nara ehon, and for this reason, it is extremely important to pay attention to the illustrations in the printed editions of "Tsurezuregusa." This paper aims to analyze illustrated woodblock prints produced mainly during the Genroku period (1688-1704) up to the first half of the eighteenth century and examine what kind of scenes were illustrated, what the source of these illustrations was, and what kind of readers were the target audience for them. The analysis of the text, annotations, style of illustrations, and painted scenes reveals that "Tsurezuregusa" evolved from being a scholarly or didactic book to being more of an entertaining read as time went by. The various innovations in the illustrations suggest that the publishers were aiming to attract new readers, such as women, children, and novice students gathered at the terakoya (temple schools). The Genroku period was also a time when the literature, culture, and rituals fostered by the court nobles brought epoch of culture to the samurai and merchant classes. In response to the needs of the times, new readers enjoyed the refined culture of the imperial court through the classical literature of "Tsurezuregusa" (Essays in Idleness).
言語 en
書誌情報 ja : 関西大学東西学術研究所紀要

巻 56, p. 53-71, 発行日 2023-07-01
ISSN
収録物識別子タイプ PISSN
収録物識別子 02878151
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN0004709X
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 関西大学東西学術研究所
言語 ja
キーワード
言語 ja
主題Scheme Other
主題 徒然草
キーワード
言語 ja
主題Scheme Other
主題 版本挿絵
キーワード
言語 ja
主題Scheme Other
主題 元禄期
キーワード
言語 en
主題Scheme Other
主題 "Tsurezuregusa"
キーワード
言語 en
主題Scheme Other
主題 Illustrations for the printed edition
キーワード
言語 en
主題Scheme Other
主題 Genroku period (1688-1704)
キーワード
言語 ja
主題Scheme Other
主題 関西大学
キーワード
言語 en
主題Scheme Other
主題 Kansai University
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