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風景表象と領域のフレーミング : その意義と可能性
https://doi.org/10.32286/00023731
https://doi.org/10.32286/000237313298e20c-90e5-44b8-bb8b-f184c931daee
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20210401-14.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2021-05-18 | |||||
| タイトル | ||||||
| タイトル | 風景表象と領域のフレーミング : その意義と可能性 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00023731 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | Framing of the Territory with Representations of Landscape : Its Significance and Possibility | |||||
| 著者 |
蜷川, 順子
× 蜷川, 順子 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 46248 | |||||
| 姓名 | Ninagawa, Junko | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | In the modern ages in the West, the representation of landscape has been seen in terms of a dualism: subject and object. The human being is the viewing subject, and the landscape is the viewed object. Such ideas are found both in Alberti's model of a representation constructed within a frame (like a scene viewed through a window) and in Alpers' model of a scene apparently cut off by a frame (a technique seen in the Dutch landscapes). In such works the landscape is seen from a viewpoint outside the representation, a viewpoint that might be tentatively called that of God. However, this viewpoint is not the exclusive one in all such representations. Some artists have also depicted themselves within the landscape, whether showing themselves painting or walking, and that means that there have been two types of viewpoints, one that of God, the other a viewpoint that could be called that from within the landscape — or, it could be said, within nature. In this case the relationship between human beings and nature is not a dualism; the human being frames a territory for himself or herself within nature, that very nature to which he or she belongs. | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 54, p. A159-A175, 発行日 2021-04-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0004709X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 風景表象 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 領域 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | フレーミング | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 近代以後 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Representations of landscape | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Territory | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Framing | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Postmodernism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
