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アイテム
On the Era of Image : Photograph, Cinema and Narrative as Reality
http://hdl.handle.net/10112/00022385
http://hdl.handle.net/10112/0002238507f59e90-ae2a-4abf-80db-2f5c7277676c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20000325-08.pdf (1.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2021-01-14 | |||||
| タイトル | ||||||
| タイトル | On the Era of Image : Photograph, Cinema and Narrative as Reality | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
Kakeba, Hisakazu
× Kakeba, Hisakazu |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 43765 | |||||
| 姓名 | 架場, 久和 | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | This paper will explore characteristics of images indispensable to social realities in contemporary society. In so doing, the paper will examine five films whose theme is confusion of actual reality and image of reproduction. The question underneath this attempt is whether or not the "floating images" of contemporary society really own distinctive features. Does not it belong to the same old social signs or symbols? What if people's "new sense of freedom" derives not from real "free plays of images," but from unnoticed rigorous social restrictions? Baudrillard's concept of "simulacrum" and Benjamin's "The Work of Art in the Age of Mechanical Reproduction" are the best - known arguments to deal with nature of signs in such a society. The characteristics of images that their writings tried to delineate, however, could be shed a new light when it was discussed from a point of view of sociology. Sociological thinking will focus less the image's "reality effect" made possible by a new reproductive technology than "social" foundation of reality constructed by images. From this standpoint, photography's power to produce "objective reality" comes not only from new technology of reproduction, but also from the potential gaze of other people. The photograph becomes "objective," because everyone looks at it internalizing others' point of view. This way of construction of reality is characteristic in modern society, where the subject is obsessed to gain a proof of reality by others. This is the hidden desire to make the confusion of copy and original. The paper will examine Vertigo (Hitchcock, 1958), Blow Out (Brian DeParrna, 1981), The Conversation (Coppola, 1974), Blow - Up (Antonioni, 1966) and Proof (Jocelyn Moorhouse, 1991). In all those films, the protagonists confuse image with "real" in various ways and levels. But all their confusion is resulted from the motivation to construct a coherent narrative from images. Regardless of the characteristics of narrative they try to construct, in such attempts the image of reproduction is not really distinctive from the images of any society. For image could be real when it becomes narrative to be shared by others. If the image in a contemporary society has really different nature, it will be found beyond such "social" foundation. | |||||
| 書誌情報 |
関西大学社会学部紀要 巻 31, 号 2-3, p. 281-296, 発行日 2000-03-25 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02876817 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00046982 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学社会学部 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | image | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | reality | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | photograph | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | narrative | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | cinema | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | movie | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | simulacrum | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | gaze | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | others | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
