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宋代の山水画論について(一)
http://hdl.handle.net/10112/16220
http://hdl.handle.net/10112/16220672e652d-2564-4f32-a7ea-ee8205f9f1ae
名前 / ファイル | ライセンス | アクション |
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KU-0400-20030331-04.pdf (1.6 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-07-30 | |||||
タイトル | ||||||
タイトル | 宋代の山水画論について(一) | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | Views on Chinese-style Landscape Paintings in Sung Era | |||||
著者 |
山岡, 泰造
× 山岡, 泰造 |
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著者別名 | ||||||
姓名 | Yamaoka, Taizo | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | Guo Xi was originally a private artist and man of letters, but was appointed to a position as court painter in Shen Zong's reign. He was in Shen Zong's favor and painted most of the pictures on room partitions in the buildings at Court. Examining the characteristics of his landscape paintings based on his discussions of arts,、LinGuan Gao Zhi', the richness of elements in his paintings and the structural details are evident. With these characteristics, he created 'landscape paintings from the heart' filled with feelings, which suited the innovative trend of the time. | |||||
書誌情報 |
関西大学東西学術研究所紀要 巻 36, p. 77-93, 発行日 2003-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 02878151 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN0004709X | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 関西大学東西学術研究所 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 関西大学 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Kansai University |