WEKO3
アイテム
菱田春草の欧米遊学と朦朧体
http://hdl.handle.net/10112/00019993
http://hdl.handle.net/10112/00019993531787de-03ea-4d3f-b398-dc15e8ed374d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20200331-06.pdf (1.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-04-07 | |||||
| タイトル | ||||||
| タイトル | 菱田春草の欧米遊学と朦朧体 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | The West Study Abroad of Hishida Shunsō and style of morotai | |||||
| 著者 |
田邉, 咲智
× 田邉, 咲智 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 39343 | |||||
| 姓名 | Tanabe, Sachi | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Hishida Shunsō (1874-1911) is a Japanese painter who pushed forward the reform of modern Japanese-style painting alongside Yokoyama Taikan (1868-1958), among others, at the Nihon Bijutsuin (Japan Art Institute), which was led by Okakura Tenshin 〔Kakuzō〕 (1862-1913). The first experiment they tried for the reform of Japanese painting was the style called "morotai" (the obscure style) . This style is a method of painting that uses shades of color without using outlines to express air and rays of light, etc. However, morotai failed to receive recognition inside Japan as it was criticized for its murky colors, unclear expression, and especially the elimination of traditional ink lines. While the style continued to attract criticism in Japan, Shunsō and Taikan joined Tenshin to travel to various parts of Europe and the United States between 1904 and 1905. They held exhibitions in the United States, Britain, and France and presented their style directly to Western audiences. Surprisingly, these audiences gave the morotai style the same recognition as that given to the style of James McNeill Whistler (1834-1903). Against this background, this paper will examine the travels Shunsō and Taikan made to study in the West, and examine their works while considering the influences acting between their works and Western painting. The paper will also examine why the style of morotai achieved the same recognition in the West as that of Whistler. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 中谷伸生教授古稀記念号 | |||||
| 書誌情報 |
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 13, p. 81-102, 発行日 2020-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12327433 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Hishida Shunsō | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | morotai | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Okakura Tenshin | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Nihon Bijutsuin | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | James McNeill Whistler | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 菱田春草 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 朦朧体 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 岡倉天心 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日本美術院 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | J. McN. ホイッスラー | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
