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  1. 0400 東西学術研究所
  2. 関西大学東西学術研究所紀要
  3. 第52輯

陽和院書状にみる「長恨歌図屏風」 : 元禄十四年の屏風制作の一例

http://hdl.handle.net/10112/00017114
http://hdl.handle.net/10112/00017114
9c22b60e-feb6-47be-9c03-0d476befe10f
名前 / ファイル ライセンス アクション
KU-0400-20190401-03.pdf KU-0400-20190401-03 (773.6 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-07-23
タイトル
タイトル 陽和院書状にみる「長恨歌図屏風」 : 元禄十四年の屏風制作の一例
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
その他のタイトル
その他のタイトル "The Song of Everlasting Sorrow" Screen Written in Yōwain Letter: An Example of Screen Creation in 1701
著者 村木, 桂子

× 村木, 桂子

WEKO 33607
e-Rad 20814966

村木, 桂子

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著者別名
識別子Scheme WEKO
識別子 33608
姓名 Muraki, Keiko
概要
内容記述タイプ Other
内容記述 The Yōwain letter refers to the letter sent by Yōwain (1638-1711), the lawful wife of feudal lord Mitsuhisa Shimazu, Satsuma, (1616-1695) living in Edo in the year 1701, to court noble Hiramatsu Tokikazu (Yōwain's elder brother) living in Kyoto. This letter was collected by Mr. Nobuo Inokuma, who has preserved it at Hiroshima University. Most notably, in this letter, Yōwain asked her elder brother (a court Noble) in Kyoto to produce the screen of "The Song of Everlasting Sorrow" as one of the household articles for a bride, for Daimyo's daughter in this case. Therefore, this letter is extremely important as a historical document that depicts the recipient, use, and production process of the screen of "The Song of Everlasting Sorrow" at the time, which has not been well known thus far, for which there are two reasons. First, "The Song Everlasting Sorrow," in the early modern era, was produced as a large screen and a wall painting to decorate public spaces so as to raise the authority of a politician, but the folding screen in this letter was produced as furniture for a private owner. Second, the folding screen of the tragic theme "The Everlasting Sorrow" is very rare, as it was chosen to be used as a piece of furniture to bless the marriage. This paper considers why the screen of "The Song of Everlasting Sorrow" in Yōwain letter was ordered as an article of the bride's household effects at this time by referring to furniture ordered at the same time. An analysis of the letter revealed that furniture that would reflect the dynasty culture loved by the court noble (Kuge) was ordered. Therefore, it is possible that this was the piece ordered when Daimyo's daughter, Kamehime Shimazu, married the court noble, Konoe Kazuhisa. Moreover, in the Genroku period (1688-1704), Yang Guifei, who had a tragic image thus far, was regarded as a symbol of happy marriage; therefore, it is thought that the production of this folding screen also corresponded to the trend of an era when a new interpretation was given.
書誌情報 関西大学東西学術研究所紀要

巻 52, p. 41-62, 発行日 2019-04-01
ISSN
収録物識別子タイプ ISSN
収録物識別子 02878151
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN0004709X
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 関西大学東西学術研究所
キーワード
主題Scheme Other
主題 長恨歌
キーワード
主題Scheme Other
主題 The song of everlasting sorrow
キーワード
主題Scheme Other
主題 陽和院書状
キーワード
主題Scheme Other
主題 Yōwain letter
キーワード
主題Scheme Other
主題 元禄期
キーワード
主題Scheme Other
主題 Genroku period 1688~1704
キーワード
主題Scheme Other
主題 婚礼調度
キーワード
主題Scheme Other
主題 a bride's household effects
キーワード
主題Scheme Other
主題 関西大学
キーワード
主題Scheme Other
主題 Kansai University
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