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探幽画における余白について ― 名古屋城上洛殿障壁画を中心に―
http://hdl.handle.net/10112/9881
http://hdl.handle.net/10112/98810227ff96-9e89-4003-90c0-105642200138
名前 / ファイル | ライセンス | アクション |
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KU-1100-20131201-03.pdf (1.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2016-04-05 | |||||
タイトル | ||||||
タイトル | 探幽画における余白について ― 名古屋城上洛殿障壁画を中心に― | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | The Blank Space in the Paintings of Kano Tan’yu | |||||
著者 |
石田, 智子
× 石田, 智子 |
|||||
著者別名 | ||||||
姓名 | Ishida, Tomoko | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | This thesis focuses on the blank space in the paintings of Kano Tan’yu, especially “Illustrated Mirror of Chinese Emperors” from the paintings of the Nagoya Castle Jorakuden that are referred as good examples that has the characters of the Kano Tan’yu’s style. The paintings of Kano Tan’yu have broad blank space. I argue that they were useful for painters when they produced many paintings and combine figures and scenes on paintings. Moreover, I insist that Tan’yu painted less motifs for his pupils tracing them easily. | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 東アジアの言語と表象 | |||||
書誌情報 |
文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 巻 2, p. 47-59, 発行日 2013-12-01 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 21874395 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12712795 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 関西大学大学院東アジア文化研究科 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 狩野探幽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 帝鑑図 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 名古屋城 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 狩野山楽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 関西大学(Kansai University) |