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与謝蕪村筆「奥の細道図巻及び屏風」の挿画について
http://hdl.handle.net/10112/13195
http://hdl.handle.net/10112/1319514906bfc-c7a6-42e8-94fe-374497eb6cfc
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20180331-09.pdf (2.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-04-06 | |||||
| タイトル | ||||||
| タイトル | 与謝蕪村筆「奥の細道図巻及び屏風」の挿画について | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Yosa Buson's Scrolls and Screen Painting Based on The Narrow Road to the Deep North | |||||
| 著者 |
猪瀬, あゆみ
× 猪瀬, あゆみ |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 30294 | |||||
| 姓名 | Inose, Ayumi | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | This study deals with the works of The Narrow Road to the Deep North by Yosa Buson (1716-1783) Three scrolls and one folding screen are extant. Buson completed these works based on the famous work by Matsuo Basho (1644-1694) The Narrow Road to the Deep North, during the late 18th century, when the revival movement of Basho's poetic style was flourishing. It can be surmised that these works were in demand, as several copies exist. In every case, Buson copied the entire The Narrow Road to the Deep North and painted several scenes between the handwritten poems. This research delineates how their style and formats changed, and how Buson painted Basho's expressions by comparing the paintings in each work. The paper also examines how Buson's depictions in his art reflected Basho’s haikai. The paintings and haiku are subtly intertwined in a style called nioizuke (a Shofu-style technique) that Buson is generally thought to have established. This paper discusses the interaction in concrete terms and compares Buson's work with those related to The Narrow Road to the Deep North depicted by other artists. In the conclusion, the reasons Buson selected certain screens from Basho's work to illustrate, and how Buson's paintings resonate with Basho's haikai, are clarified. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | [東アジアの言語と表象] | |||||
| 書誌情報 |
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 11, p. 127-146, 発行日 2018-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12327433 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 与謝蕪村 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 奥の細道 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 松尾芭蕉 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 俳画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 匂いづけ | |||||
