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アーサー・エヴァンズ卿とクノッソス宮殿 : 古代遺跡とそのイメージ形成をめぐる考察
https://doi.org/10.32286/0000000805
https://doi.org/10.32286/0000000805cfd3270e-4033-4a59-8413-554c1537997b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0040-20100308-10.pdf (8.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2015-10-22 | |||||
| タイトル | ||||||
| タイトル | アーサー・エヴァンズ卿とクノッソス宮殿 : 古代遺跡とそのイメージ形成をめぐる考察 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/0000000805 | |||||
| ID登録タイプ | JaLC | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| その他のタイトル | ||||||
| その他のタイトル | Sir Arthur Evans and the Palace of Knossos : On the Image-Formation of the Ancient Society | |||||
| 言語 | en | |||||
| 著者 |
中澤, 務
× 中澤, 務 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Our images of the Mediterranean ancient civilizations were formed through the excavations and reseraches made by modern European countries. However, do these images reflect the ancient civilizations properly? In this paper, I take up the case of the excavation of "Palace of Konossos" by Sir Arthur Evans and reexamine the process of image-formation of this archaeological site. (1) Influence of Green Myth Evans had been deeply influenced by the Greek Myth of "the King Minos and the Labyrinthos". Evans believed that the building he found must be the King Minos' Labyrinthos (Fig.2). When he found a room in which a stone chair was installed, he concluded that this was the room of the king and named it "The Throne Room." He rehabilitated the room completely through many conjectures (fig.3). His interpretation of this building as the king's palace is uncertain. We must admit that this is the image made by Evans influenced by the Greek Myth. (2)Influence of Modern European Culture The Image-formation of the Knossos and Minoan Culture was also influenced by the modern European culture. Europeans found that the aesthetic taste of ancient Minoans was similar to theirs (Fig.4,5). For example, they believed "Dolphin Fresco" in the "Queen's Megaron" as the manifestation of the love towards nature and formed a romantic image of the Minoan culture (Fig.6,7), but it is not certain whether such remains are manifestations of their own naturalism. This seems to be the typical case of the image-formation problem. (3)Prince to the Lilies Evans reconstructed the notorious fresco "Prince of the Lilies" (Fig.9). Evans (and E. Gillieron) put together few remains of the fresco and favricated a clear image of the"Priest King." In fact, their reconstruction was dubious. Many scholars have tried to present a new reconstruction, but Evans' original image has been so influential that we cannot get rid of its power even today (Fig.10,11). | |||||
| 言語 | en | |||||
| 書誌情報 |
Semawy Menu 巻 1, p. 67-76, 発行日 2010-03-08 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | BB04028363 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学文化財保存修復研究拠点 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | Institute for Conservation and Restoration of Cultural Properties, Kansai University | |||||
| 言語 | en | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | エジプト | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | サッカラ | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 文化財 | |||||
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| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 修復 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
