@article{oai:kansai-u.repo.nii.ac.jp:00024176,
 author = {高, 絵景},
 journal = {東アジア文化交渉研究 = Journal of East Asian cultural interaction studies},
 month = {Mar},
 note = {The fan paintings developed around the end of the 9th century are drawn by each school with various subjects such as the landscape, person, flowers and birds (flowering plants), and genre picture, and their charm has not diminished for decades, and it has been established as a kind of unique painting. The shape of the fan is different from the rectangle, and the composition of a picture is constrained by the special inverted trapezoid of the fan and the curved shape. So that, a painter not only needs to draw as usual, but also needs to show the beauty of the fan though painting. Ike no Taiga, the master of Japanese literary painting, started painting on the fan at the age of fifteen, and many remarkable fan paintings have been created, which can be said to be a very important part of Taiga's works. In this paper, I will focus on Taiga's fan paintings with the theme of landscape and select representative fans from a large number of his works. And around the distant expression of the fan landscape paintings, the composition and other issues to discuss. In addition, I tried to clarify the salient features, compositional differences, and aesthetic characteristics of the fan paintings in Japan and China., 内田慶市教授古稀記念号},
 pages = {175--189},
 title = {「咫尺の間、天地を有つ」 : 大雅の山水扇面画を中心に},
 volume = {14},
 year = {2023}
}