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深田直城の大阪写生派絵画と日本画の近代
https://doi.org/10.32286/00028176
https://doi.org/10.32286/00028176810599c9-0e6b-47cb-bc65-a9848f40024a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20230331-04.pdf (6.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2023-04-14 | |||||
| タイトル | ||||||
| タイトル | 深田直城の大阪写生派絵画と日本画の近代 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00028176 | |||||
| ID登録タイプ | JaLC | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| その他のタイトル | ||||||
| その他のタイトル | Traditional Japanese-style Paintings in Modern Artists' Realism Comments on Fukada Chokujo in Osaka realistic painting art group | |||||
| 言語 | en | |||||
| 著者 |
中谷, 伸生
× 中谷, 伸生 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Fukada Chokujo, a native of Ohmi province and later active mostly in Osaka, was a Japanese-style painter who studied the Shijo School. In view of modern artists' realistic paintings, this paper introduces Fukada's works of paintings and sketches. The author discusses how he was characterized as a realistic style painting artist. For comparison, works of the great contemporary artists such as Takeuchi Seiho in Kyoto and Kano Hougai in Tokyo are also referenced. While Fukada followed traditional Japanese realistic tastes in his paintings, he added a Western style of expression to his work. His aim was to introduce a new realistic method of expression, and in doing so, make an impression to his viewers of a three-dimensional view. Such a three-dimensional style, or what we call "stereoscopic effects" , were enhanced in the new style of his works, bridging the gap since the Edo era between the Maruyama School and the Shijo School. Later in life, he left Kyoto, where many active artists lived, and moved his residence to Osaka. His name then lost popularity and was forgotten gradually as time passed. However, his new unique technique of a three-dimensional expression in his realistic paintings should still be appreciated. If we imagine that Fukada Chokujo in Osaka had been inspired and affected by Kano Hogai in Tokyo, we could say, as one good example, that the Osaka style (West) met the Tokyo style (East) in the realm of modern realistic painting arts in Japan. | |||||
| 言語 | en | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 内田慶市教授古稀記念号 | |||||
| 言語 | ja | |||||
| 書誌情報 |
ja : 東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 14, p. 27-44, 発行日 2023-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12327433 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| 言語 | ja | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 深田直城 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 竹内栖鳳 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 狩野芳崖 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 四条派 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 大阪写生派 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Fukada Chokujo | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Takeuchi Seiho | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Kano Hougai | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Shijo School | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Osaka realistic painting School | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
