{"created":"2023-05-15T12:29:46.790336+00:00","id":23794,"links":{},"metadata":{"_buckets":{"deposit":"82ba37a5-2512-41ff-b6bb-3bb471b9353e"},"_deposit":{"created_by":10,"id":"23794","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"23794"},"status":"published"},"_oai":{"id":"oai:kansai-u.repo.nii.ac.jp:00023794","sets":["528:669:2986:3185"]},"author_link":["52698","52697"],"item_10_alternative_title_20":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Development of Kazuo Shiraga's Paintings : 1954-1979"}]},"item_10_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-12-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"25","bibliographicPageStart":"1","bibliographicVolumeNumber":"3","bibliographic_titles":[{"bibliographic_title":"関西大学芸術学美術史研究学会eジャーナル"}]}]},"item_10_description_4":{"attribute_name":"概要","attribute_value_mlt":[{"subitem_description":"Kazuo Shiraga, which started painting with his feet before joining Gutai Art Association in 1955, begins to build compositions formed only by the traces of his feet, encountering the novel plastic thinking of Jiro Yoshihara. Shiraga then concentrates for about 10 years creating various compositions in response to changes of his body motion. In 1960s, Shirga’s feet-paintings goes into recess for about 15 years so he can look into different ways to paint without using his feet; Shiraga ends up structuring compositions by adapting effective backgrounds to express subject matters. Around 1979, after a comeback to the feet-paintings, Shiraga starts to focus not on overcoming his past expression, but on applying appropriate actions, which have been already explored, to express the subject matter. Shiraga's feet-paintings works after 1980s, prioritizing to perform actions commensurate with the subject matter, show us the new possibilities of action paintings as a result of continuing the same method for more than a decade combined.","subitem_description_type":"Other"}]},"item_10_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"52698","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Kameda, Shigeru"}]}]},"item_10_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.32286/00027806","subitem_identifier_reg_type":"JaLC"}]},"item_10_publisher_34":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"関西大学芸術学美術史研究学会"}]},"item_10_version_type_17":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"亀田, 茂"}],"nameIdentifiers":[{"nameIdentifier":"52697","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-01-30"}],"displaytype":"detail","filename":"KU-1100-20221231-02.pdf","filesize":[{"value":"5.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KU-1100-20221231-02.pdf","url":"https://kansai-u.repo.nii.ac.jp/record/23794/files/KU-1100-20221231-02.pdf"},"version_id":"8484feb1-e0cf-447a-97c8-0fb98714359f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"白髪一雄","subitem_subject_scheme":"Other"},{"subitem_subject":"アクションペインティング","subitem_subject_scheme":"Other"},{"subitem_subject":"具体美術協会","subitem_subject_scheme":"Other"},{"subitem_subject":"絵画論","subitem_subject_scheme":"Other"},{"subitem_subject":"描画の身体性","subitem_subject_scheme":"Other"},{"subitem_subject":"Shiraga Kazuo","subitem_subject_scheme":"Other"},{"subitem_subject":"Action Painting","subitem_subject_scheme":"Other"},{"subitem_subject":"Gutai Art Association","subitem_subject_scheme":"Other"},{"subitem_subject":"Theory of Painting","subitem_subject_scheme":"Other"},{"subitem_subject":"Physicality of Painting","subitem_subject_scheme":"Other"},{"subitem_subject":"関西大学","subitem_subject_scheme":"Other"},{"subitem_subject":"Kansai University","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"白髪一雄の絵画に見られる変遷について　1954-1979","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"白髪一雄の絵画に見られる変遷について　1954-1979"}]},"item_type_id":"10","owner":"10","path":["3185"],"pubdate":{"attribute_name":"公開日","attribute_value":"2023-01-30"},"publish_date":"2023-01-30","publish_status":"0","recid":"23794","relation_version_is_last":true,"title":["白髪一雄の絵画に見られる変遷について　1954-1979"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2023-05-15T16:12:50.591553+00:00"}