@article{oai:kansai-u.repo.nii.ac.jp:00023177,
 author = {石, 永峰},
 journal = {関西大学東西学術研究所紀要},
 month = {Jul},
 note = {Luo Zhenyu, a leading scholar of the Late Qing-Early Republic of China periods, became prominent because of his rich collections and publications, his deep insights, and his extensive knowledge of scholarship and the arts. Luo was also renowned for his long stay in Japan and his close associations with native scholars and literati. Naitō Konan, Luo’s Japanese friend, was a representative sinologist of modern Japan. Along with Kano Naoki and Kuwabara Jitsuzō, Naitō founded the Kyoto School of Sinology on the strength of his experience in journalism and his subsequent work as a professor of oriental studies at Kyoto Imperial University. Fujida Toyohachi introduced Luo Zhenyu to Naitō Konan in 1899. The duo then began to exchange opinions with Naitō Konan on rubbing books and Wang Xizhi’s copybooks. Luo Zhenyu and Naitō Konan remained closely associated in several domains including calligraphical studies over the next few decades. Further, both scholars enhanced their knowledge and insights by sharing information for many years on subjects such as the study of steles and Wang Xizhi. They were thus able to develop individual perspectives on calligraphy. Luo Zhenyu and Naitō Konan acquired deep insights into, and comprehensive knowledge of calligraphy, publishing articles in the form of prefaces and postscripts on the subject. Their work has attracted insufficient scholarly attention despite their significant contribution This paper, based on a previous research project, focuses on Luo Zhenyu and Naitō Konan’s study of steles and Wang Xizhi, using their prefaces and postscripts; the correspondence between them that was collected in their Complete Works (Luo Xuetang xiansheng quanji and Naitō Konan zenshū; and the archives preserved in Naitō Bunko of the Kansai University library. In so doing, the paper prosposes to elucidate their exchanges on calligraphy and to determine their influence on each other., 本稿は、日本学術振興会科学研究費補助金（研究活動スタート支援）「内藤湖南の東洋芸術論─画論・書論・印学・金石学等領域に対する学問的貢献─」（研究代表者：石永峰、研究課題番号：21K19973）の研究成果の一部である。},
 pages = {A187--A210},
 title = {羅振玉と内藤湖南の書学交流 : 碑学研究と王羲之研究を例として},
 volume = {55},
 year = {2022}
}