{"created":"2023-05-15T12:28:55.391756+00:00","id":22554,"links":{},"metadata":{"_buckets":{"deposit":"129b33bc-a63d-4944-83ce-1bab71644ae7"},"_deposit":{"created_by":10,"id":"22554","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"22554"},"status":"published"},"_oai":{"id":"oai:kansai-u.repo.nii.ac.jp:00022554","sets":["528:1721:1722:3036"]},"author_link":["50926","50927"],"item_10_alternative_title_20":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"\"Three Perfections of Poetry, Calligraphy and Painting\" in Ike no Taiga's Art Works"}]},"item_10_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"473","bibliographicPageStart":"457","bibliographicVolumeNumber":"15","bibliographic_titles":[{"bibliographic_title":"東アジア文化交渉研究 = Journal of East Asian cultural interaction studies"}]}]},"item_10_description_4":{"attribute_name":"概要","attribute_value_mlt":[{"subitem_description":"The present paper analyses Ike no Taiga's \"Three Perfections of Poetry, Calligraphy and Painting\" in order to examine the novel ideas embodied in this work, as well as to interpret the mysterious relationship between the poetry and the painting of his Tozan Seiin-jō, a work written in Taiga's last year. First, this study summarizes the conventional viewpoints on the formation and development of the forms of \"Three Perfections\" in literary paintings. Second, on the basis of the different images of calligraphy and painting in a single work, this study investigates the works that include poetry, calligraphy and painting, by dividing them into four sections. Thus, the influence of Zen thinking on Taiga's human spirit and artistic realm, as embodied in the Heart Sutra and in his abstract calligraphies and paintings, is also investigated.","subitem_description_type":"Other"}]},"item_10_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"陶徳民教授古稀記念号","subitem_description_type":"Other"}]},"item_10_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"50927","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Gao, Huijing"}]}]},"item_10_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.32286/00026569","subitem_identifier_reg_type":"JaLC"}]},"item_10_publisher_34":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"関西大学大学院東アジア文化研究科"}]},"item_10_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12327433","subitem_source_identifier_type":"NCID"}]},"item_10_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18827748","subitem_source_identifier_type":"ISSN"}]},"item_10_version_type_17":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"高, 絵景"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-05-10"}],"displaytype":"detail","filename":"KU-1100-20220331-33.pdf","filesize":[{"value":"7.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KU-1100-20220331-33.pdf","url":"https://kansai-u.repo.nii.ac.jp/record/22554/files/KU-1100-20220331-33.pdf"},"version_id":"26bb3aed-b5d1-4ec0-9cb9-c0ea5ae80265"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"池大雅","subitem_subject_scheme":"Other"},{"subitem_subject":"詩書画三絶","subitem_subject_scheme":"Other"},{"subitem_subject":"般若波羅蜜心経","subitem_subject_scheme":"Other"},{"subitem_subject":"白隠慧鶴","subitem_subject_scheme":"Other"},{"subitem_subject":"Ike no Taiga","subitem_subject_scheme":"Other"},{"subitem_subject":"Three Perfections of Poetry","subitem_subject_scheme":"Other"},{"subitem_subject":"Calligraphy and Painting","subitem_subject_scheme":"Other"},{"subitem_subject":"Heart Sūtra","subitem_subject_scheme":"Other"},{"subitem_subject":"Hakuin Ekaku","subitem_subject_scheme":"Other"},{"subitem_subject":"関西大学","subitem_subject_scheme":"Other"},{"subitem_subject":"Kansai University","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"池大雅の「詩書画三絶」をめぐる一考察","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"池大雅の「詩書画三絶」をめぐる一考察"}]},"item_type_id":"10","owner":"10","path":["3036"],"pubdate":{"attribute_name":"公開日","attribute_value":"2022-05-10"},"publish_date":"2022-05-10","publish_status":"0","recid":"22554","relation_version_is_last":true,"title":["池大雅の「詩書画三絶」をめぐる一考察"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2023-05-15T17:31:25.410033+00:00"}