WEKO3
アイテム
アイデンティティの消失と過去からの亡霊
http://hdl.handle.net/10112/4334
http://hdl.handle.net/10112/4334798450cd-1923-4671-9932-072ebacc47b4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
4-2_Merolla.pdf (461.9 kB)
|
|
| アイテムタイプ | 一般雑誌記事 / Article(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-05-11 | |||||
| タイトル | ||||||
| タイトル | アイデンティティの消失と過去からの亡霊 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| その他のタイトル | ||||||
| その他のタイトル | Evanescences and Ghosts from the Past | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | article | |||||
| 著者 |
メロッラ, サブリナ
× メロッラ, サブリナ |
|||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Individuals’ personal identity is closely related to their socialcultural collective one. Therefore, if we perceive identity as that set of cultural ideas and practices which are daily learned and implemented by members of a given society, we realize the measure of its conventional nature. Individual’s identity, focused on the feelings of an actor who identifies with a given group, is a social construct; therefore, it is provisional, conventional, contextual, and apparently tied to one space and one time, yet totally detached from them. Taking this perspective and refugee studies as our starting point, we will deepen the analysis of the boundary identities of exiles, focusing on the case study of the Chinese poet Yang Lian and his literary production of the 90s. Yang Lian, one of the forefathers of Chinese contemporary poetry, has been living outside the PRC since the Tiananmen Square incident. We will discuss those sanwens and poems which are deeply rooted in the traumatic experiences of violence and forced exile, in the constantly frustrated attempt to express displacement through poetry, which gave birth to the free exchange between two different identities and worlds and two opposite literary forms. Yang Lian’s proses from the first 90s offer the very depiction of the complexity of the relationship between one poet and his own art, rooted in the unconscious birth of changing identification rules. Nowadays Yang Lian, who holds a New Zealand citizenship, declares he has undergone an identitary re-birth that rebuilt him as an international poet, yet definitely local. He claims that the experience of exile gave him the unique chance to experiment with a new perception of his own cultural identity, more fluid and free, an identity which has started becoming completely borderless since the day he consciously decided ‘to break through the limits of language, to force himself to touch the border and cross it’. | |||||
| 書誌情報 |
文化交渉における画期と創造－歴史世界と現代を通じて考える－ p. 261-278, 発行日 2011-03-31 |
|||||
| ISBN | ||||||
| 識別子タイプ | ISBN | |||||
| 関連識別子 | 978-4-9905164-2-0 | |||||
| 出版者 | ||||||
| 出版者 | Institute for Cultural Interaction Studies, Kansai University | |||||
| シリーズ | ||||||
| 関連名称 | ICIS次世代国際学術フォーラムシリーズ ; 第3輯 | |||||
