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異なる現代性からの「再声」二十世紀の台湾新音楽の軌跡と文化想像
http://hdl.handle.net/10112/4332
http://hdl.handle.net/10112/4332c3ee19c3-da04-4bc7-9d80-4ddedae8ecfc
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
3-2_Liu.pdf (517.6 kB)
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| Item type | 一般雑誌記事 / Article(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-05-10 | |||||
| タイトル | ||||||
| タイトル | 異なる現代性からの「再声」二十世紀の台湾新音楽の軌跡と文化想像 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| その他のタイトル | ||||||
| その他のタイトル | Re-articulating from Diff erent Modernity: The Route and Cultural Imagination of Taiwan New Music in the 20th Century | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | article | |||||
| 著者 |
劉, 雅芳
× 劉, 雅芳 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | This article rethinks the two uses and two historical contexts of the “Taiwan New Music” from the perspective of the cultural history of Taiwanese music in the 20th Century by contrasting different viewpoints. The paper also examines the difference and similarity of the cultural imagination of the two new music routes. The first was in the 1930s when Taiwan was in the Japanese colonial period, Columbia initiated the industry of the modern records of Taiwan, and many folk artists and the intellectuals dedicated to this industry; meanwhile, the Taiwanese in Japan “went back” to give performances for the first time. The second time was in the late 1980s, Taiwan was around the period of the deregulation, during the time when the industry of the Taiwan’s popular music came to maturity and soon entered the phase of globalization. Nonmainstream music club and Wax Club started to gather, and published the music journal ‘The Rocker’; therefore, many new creative singers dedicated to the music festival of Taipei. This article emphasizes on the composition of the field of popular music production, and re-discusses that the “new” of Taiwan New Music is a re-interpretation of the so-called modernity and locality in the musical practice and production, and also produces the differences from the mainstream culture and the ruler’s cultural ideology. | |||||
| 書誌情報 |
文化交渉における画期と創造－歴史世界と現代を通じて考える－ p. 183-201, 発行日 2011-03-31 |
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| ISBN | ||||||
| 識別子タイプ | ISBN | |||||
| 関連識別子 | 978-4-9905164-2-0 | |||||
| 出版者 | ||||||
| 出版者 | Institute for Cultural Interaction Studies, Kansai University | |||||
| シリーズ | ||||||
| 関連名称 | ICIS次世代国際学術フォーラムシリーズ ; 第3輯 | |||||
