{"created":"2023-05-15T12:28:34.758849+00:00","id":22094,"links":{},"metadata":{"_buckets":{"deposit":"155bb69a-91ed-40ef-8781-759560399c62"},"_deposit":{"created_by":10,"id":"22094","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"22094"},"status":"published"},"_oai":{"id":"oai:kansai-u.repo.nii.ac.jp:00022094","sets":["528:669:2986:2988"]},"author_link":["50128","50127"],"item_10_alternative_title_20":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Study of Kazuo Shiraga's Action Painting Works from His Early Career Phase of Expression from \"Work\" to \"Work III\""}]},"item_10_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-12-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"8","bibliographicPageStart":"1","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"関西大学芸術学美術史研究学会eジャーナル"}]}]},"item_10_description_4":{"attribute_name":"概要","attribute_value_mlt":[{"subitem_description":"This paper examines the phase of expression from \"Work\" to \"Work III\" in which Kazuo Shiraga first tried to use physical actions to paint in his early career. Paintings consist of painters' physical traces show a unique expression of time different from seeing optical delusions of American abstract paintings, as Michael Fried asserts \"Presentness\". In \"Work\", Shiraga uses his fingers to draw concentric circles on the square ratio canvas, which creates an optical effect, probably unintentional for Shiraga. His change of mind is observed in \"Work III,\" where he uses his feet to create a single image on a support. This is processed by abandoning a square ratio and adopting a centripetal composition. Jackson Pollock invents \"All-over Dripping Paintings\" through his career by combining separate technique and composition. Shiraga, on the other hand, finds his own method and composition almost simultaneously in 1954 when making his action painting prototypes. Shiraga's way to treat canvases is the reason why Shiraga's creations of images appeal to our conscious mind, unlike Pollock's paintings which try to reach our subconsciousness.","subitem_description_type":"Other"}]},"item_10_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"50128","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Kameda, Shigeru"}]}]},"item_10_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.32286/00026112","subitem_identifier_reg_type":"JaLC"}]},"item_10_publisher_34":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"関西大学芸術学美術史研究学会"}]},"item_10_version_type_17":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"亀田, 茂"}],"nameIdentifiers":[{"nameIdentifier":"50127","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-03-11"}],"displaytype":"detail","filename":"KU-1100-20211231-05.pdf","filesize":[{"value":"1.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KU-1100-20211231-05.pdf","url":"https://kansai-u.repo.nii.ac.jp/record/22094/files/KU-1100-20211231-05.pdf"},"version_id":"bd04874e-208c-4e16-8b60-3ac1caef895a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"白髪一雄","subitem_subject_scheme":"Other"},{"subitem_subject":"具体美術協会","subitem_subject_scheme":"Other"},{"subitem_subject":"アクションペインティング","subitem_subject_scheme":"Other"},{"subitem_subject":"ジャクソン・ポロック","subitem_subject_scheme":"Other"},{"subitem_subject":"抽象絵画","subitem_subject_scheme":"Other"},{"subitem_subject":"Kazuo Shiraga","subitem_subject_scheme":"Other"},{"subitem_subject":"Gutai","subitem_subject_scheme":"Other"},{"subitem_subject":"Action painting","subitem_subject_scheme":"Other"},{"subitem_subject":"Jackson Pollock","subitem_subject_scheme":"Other"},{"subitem_subject":"Abstract paintings","subitem_subject_scheme":"Other"},{"subitem_subject":"関西大学","subitem_subject_scheme":"Other"},{"subitem_subject":"Kansai University","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"白髪一雄の初期アクション絵画制作にまつわる考察 : 《作品》から《作品III》における表現の位相","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"白髪一雄の初期アクション絵画制作にまつわる考察 : 《作品》から《作品III》における表現の位相"}]},"item_type_id":"10","owner":"10","path":["2988"],"pubdate":{"attribute_name":"公開日","attribute_value":"2022-04-01"},"publish_date":"2022-04-01","publish_status":"0","recid":"22094","relation_version_is_last":true,"title":["白髪一雄の初期アクション絵画制作にまつわる考察 : 《作品》から《作品III》における表現の位相"],"weko_creator_id":"10","weko_shared_id":-1},"updated":"2023-05-15T17:39:56.315090+00:00"}