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ウォルター・リチャード・シッカート作《イングリッシュ・エコー・シリーズ》の戦間期イギリス画壇における先駆性
https://doi.org/10.32286/00026111
https://doi.org/10.32286/000261114f29608b-56a8-4d50-99c7-df1ce9d8b28a
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2022-04-01 | |||||
タイトル | ||||||
タイトル | ウォルター・リチャード・シッカート作《イングリッシュ・エコー・シリーズ》の戦間期イギリス画壇における先駆性 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.32286/00026111 | |||||
ID登録タイプ | JaLC | |||||
その他のタイトル | ||||||
その他のタイトル | English Echo Series, the pioneer works of the interwar period by Walter Richard Sickert | |||||
著者 |
松崎, 章人
× 松崎, 章人 |
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著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 50126 | |||||
姓名 | Matsuzaki, Akito | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | The English Echo Series painted by Walter Richard Sickert (1860–1940) from 1927 to 1940 was a series of oil paintings based on illustrations printed in Victorian newspapers and magazines. As its name 'echo' suggests, the series has a special characteristic: something like a foretelling of the pop art of the postwar period. However, modernists in the British artistic circle and art critics of newspapers in those days clearly disdained Echoes and Sickert. In the 21th century, art researchers have consequently started to re-evaluate the series and told the theory wherein criticism by British modernists such as members of the Bloomsbury group attributed evil influences to the study of Sickert and Echoes in the 20th century and the series acquired a negative reputation. This theory became common in previous research; in particular, the newest study of Echoes by Merlin Seller explains the history in which criticism written by Roger Eliot Fry (1866–1934) in 1925 triggered the attack on Echoes and Sickert. However, he art theory written by Fry in his later years obviously indicated an affinity for Echoes. In addition, the timing of Fry putting forward the theory was a few years after the first exhibition of Echoes. These facts indicate that Sickert, who was conservative about English traditional paintings and Victorian popular art, was more advanced regarding the practice of reproduction art than Fry, who seemed to be the foremost British modernist of the interwar period. For verification of the history of Echoes told in previous research, this essay will begin by analyzing criticism of the series by British modernists and studies of Echoes in the 20th century. Secondly, I will summarize Fry's criticism of Sickert, which was regarded by Seller as a beginning of the attacks on Echoes and indicates points of difference between Fry's theory and other British modernists' criticisms. Next, through the features of the series and British modernists' ideology, I will state the reasons behind Echoes' negative reputation. Finally, based on photographs of Echoes that I took in Britain, I will explain the affinity between the series and Fry's theory. | |||||
書誌情報 |
関西大学芸術学美術史研究学会eジャーナル 巻 2, p. 1-24, 発行日 2021-12-31 |
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著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 関西大学芸術学美術史研究学会 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ウォルター・リチャード・シッカート | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ロジャー・フライ | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | イギリス近代絵画 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ヴィクトリアニズム | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 複製芸術 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Walter Richard Sickert | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Roger Eliot Fry | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | English modern paintings | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Victorianism | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Reproduction art | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 関西大学 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Kansai University |