WEKO3
アイテム
芹沢銈介『繪本どんきほうて』をめぐって
https://doi.org/10.32286/00026110
https://doi.org/10.32286/00026110ab360831-eb82-441d-b1d8-42944dc1fcd9
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20211231-03.pdf (1.5 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-04-01 | |||||
| タイトル | ||||||
| タイトル | 芹沢銈介『繪本どんきほうて』をめぐって | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00026110 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | About "Picture book Don Quijote" by Keisuke Serizawa | |||||
| 著者 |
原田, 喜子
× 原田, 喜子 |
|||||
| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 50124 | |||||
| 姓名 | Harada, Yoshiko | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | In 1936, Keisuke Serizawa (1895-1984) completed "Picture book Don Quijote". This book was created at the request of Carl Tilden Keller (1872-1955), who wanted a true Japanese version of the Spanish novel "Don Quijote". Serizawa painted Don Quixote in the form of a samurai wearing a kimono with a mage. He replaced other characters and landscapes with Japanese ones. And Serizawa made this book with technique called "Kappa-zuri (Japanese traditional stencil)" and coloring like "Tanroku-bon (Japanese classic books colored in red and green)". He translated "Don Quijote" not only into the characters in the story, but also into the Japanese version of the painting technique. In thought of "Mingei" he believed, beauty was familiarity. Drawing with molds and classic colors were perfect for giving the book a familiar beauty. Following the traditional Japanese patterns and classic colors was perfect for this book as it gives the Japanese the most natural familiarity. Moreover, He thoroughly simplified the lines and colors of paintings in this book. For example, he expressed a person's face with monotonous lines. This is a technique of expressing Yamato-e called "Hikime Kagibana". He certainly expressed the facial expressions of the characters with monotonous lines. Because he had the perception that Japanese traditional designs were simple and straightforward. By challenging the production of "Don Quijote", Serizawa expanded the possibilities of the stencil, which was a great opportunity to show the direction of his work after that. | |||||
| 書誌情報 |
関西大学芸術学美術史研究学会eジャーナル 巻 2, p. 1-20, 発行日 2021-12-31 |
|||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学芸術学美術史研究学会 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 民藝 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 芹沢銈介 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ドン・キホーテ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 型紙 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 型染め | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Mingei | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Keisuke Serizawa | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Don Quijote | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Katagami | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Stencil dyeing | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
