@article{oai:kansai-u.repo.nii.ac.jp:00021715,
 author = {张, 亚敬},
 journal = {文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures},
 month = {Nov},
 note = {After the Xinhai Revolution of 1911, Luo Zhenyu's family moved to Japan, and lived in Kyoto for more than seven years. During this period, Luo Zhenyu devoted himself to academics and writing books, and also participated in cultural activities in Japanese academia. He raised funds through the sale of collections, preparation of exhibition activities, or by engaging in publishing. Luo Zhenyu made public the cultural relics that he brought to Japan.This article focuses on Shoen Magazine, published by Hoshokai, as primary source material, and on Luo Zhenyu's collections, examining the publication and dissemination of his calligraphy collections in Japan during the Meiji and Taisho eras (1868-1926), and investigating the cultural trends in the publication of calligraphy materials during this period. On the one hand, members of the Hoshokai, represented by Kuroki Yasuo, facilitated Luo Zhenyu's networking in Japan. On the other hand, Shoen Magazine was a vehicle for the efforts of these Sino-Japanese scholars in calligraphy.},
 pages = {143--152},
 title = {罗振玉书法藏品在日本的出版 : 以《书苑》杂志为中心},
 volume = {11},
 year = {2021}
}