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Shaping Aesthetic Concepts in Wall Painting Restoration
https://doi.org/10.32286/0002000203
https://doi.org/10.32286/000200020344f56d4a-49c6-47e4-9000-6258f0525bb9
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0040-20110308-18.pdf
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2023-09-05 | |||||||||
| タイトル | ||||||||||
| タイトル | Shaping Aesthetic Concepts in Wall Painting Restoration | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | eng | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.32286/0002000203 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 著者 |
ワディスワフ, ザレウスキー
× ワディスワフ, ザレウスキー
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| 概要 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | In the second half of 19th century the personage of J. Makarewicz stands out as a recognized authority in the field of conservation of wall paintings in the country. His methods of aesthetic solutions constituted the continuation of those from the 19th century and were still practiced by his disciples a long time after the World War II. His assumptions in the field were consistent with the new rules which were advocated by the theoreticians of conservation-restoration active at the tum of 20th century. In practice, these realizations consisted in painting over the original. During the interwar period there already appeared attempts to distinguish between the original and conservatory retouches. However, the real breakthrough took place after World War II as a result of great damages of the wall paintings in Italy. New concepts of conservatory retouches introduced by C. Brandi were later developed in the conservatory practice by professors L. and P. Mora in Rome and 0. Casazza in Florence. Directly under the influence of the Italian solutions new practical methods of retouches were introduced in Poland. The activities of the following professors in the field could be mentioned here: professor B. Marconi, K. Dabrowski, J. and E. Wolski. With time, negative instances of "graphic" pinpointing could also be noticed, both in Italy and in Poland. At present, two issues require some attention: firstly, whether applying the generally recognized techniques of filling in with lines and dots are the methods in force. The second issue concerns the potential problems and errors arising when applying these uniform methods in restoration of wall paintings. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
Semawy Menu 巻 2, p. 189-197, 発行日 2011-03-08 |
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| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | BB04028363 | |||||||||
| 著者版フラグ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 出版者 | ||||||||||
| 出版者 | 関西大学文化財保存修復研究拠点 | |||||||||
| 言語 | ja | |||||||||
| 出版者 | ||||||||||
| 出版者 | Institute for Conservation and Restoration of Cultural Properties, Kansai University | |||||||||
| 言語 | en | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | エジプト | |||||||||
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| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | サッカラ | |||||||||
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| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 文化財 | |||||||||
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| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 修復 | |||||||||
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| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 関西大学 | |||||||||
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| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Kansai University | |||||||||
