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藤澤東畡と七絃の琴 －その琴系及び弾琴、琴学、琴事の実像について
http://hdl.handle.net/10112/10267
http://hdl.handle.net/10112/10267fdd7533f-88a2-4f1f-8582-990ea5542a93
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20160401-7.pdf (9.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-07-08 | |||||
| タイトル | ||||||
| タイトル | 藤澤東畡と七絃の琴 －その琴系及び弾琴、琴学、琴事の実像について | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Fujisawa Togai and the Chinese seven-stringed qin: Concerning his lineage and style of playing, his study of the qin, and the events and gatherings he hosted | |||||
| 著者 |
山寺, 美紀子
× 山寺, 美紀子 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 4458 | |||||
| 姓名 | Yamadera, Mikiko | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Fujisawa Togai (1794‒1864) -founder of the Chinese studies academy Hakuen Shoin and responsible for the revival of the Confucian school of Ogyu Sorai-loved the music of the seven-stringed Chinese qin, as Sorai had before him, and was also known during his day as a master of playing the instrument. This paper reports the following research and analysis in an effort to clarify the historical facts surrounding Togai’s relationship with the qin. In the first section, there is a brief discussion of the lineage of qin-playing to which Togai belonged, and of Sorai’s study of the qin, which probably influenced Togai. The second section traces Togai’s connections, through the qin, with contemporaries such as Chokai Setsudo, Abe Kenshu, Sogo Setsudo, Nomura Kosetsu, Kogaku Yushin, and Mega Yusho. The third section uses qin scores and books on the qin in the collection of Hakuen Shoin to specify the pieces that Togai probably studied and played (about thirty in all) and to speculate on what he might have learned from the literature on the qin that he read and consulted (including Ogyu Sorai’s writings on the qin). Finally, in the fourth section, Togai’s essays, “Kogetsu kinki” and “Kinkai ki”, are scrutinized for what they reveal about the events and gatherings related to the qin that Togai engaged in with his teacher and fellow players, giving us a glimpse of Togai’s frame of mind and the nature of his friendships mediated through his musical activity. | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 49, p. 139-165, 発行日 2016-04-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 琴（七絃琴・古琴）（qin（seven-stringed qin, guqin, Jp. kin）） | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 泊園書院 Hakuen Shoin （Hakuen academy） | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 藤澤東畡 （FUJISAWA Togai） | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 鳥海雪堂 （CHOKAI Setsudo） | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 妻鹿友樵 （MEGA Yusho） | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学(Kansai University) | |||||
