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[研究ノート] 青木繁の評価をめぐって
http://hdl.handle.net/10112/9299
http://hdl.handle.net/10112/9299d42f92a0-9e83-4fa1-ac20-1f3fbafb9f05
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20150401-25.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2015-06-29 | |||||
| タイトル | ||||||
| タイトル | [研究ノート] 青木繁の評価をめぐって | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Evaluation of Aoki Shigeru | |||||
| 著者 |
髙橋, 沙希
× 髙橋, 沙希 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 4442 | |||||
| 姓名 | Takahashi, Saki | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Aoki Shigeru (1882–1911) is one of the representative painters in the history of modern Japanese art, and his career has been the subject of lively debate since the first major study by Kawakita Michiaki in 1943. Even so, after 2000, publications of studies on his work gradually diminished, and in recent years research seems to be at a standstill. This paper reviews that literature, and reaffirms the depth of Aoki's relationship with foreign art, particularly that of fin de siècle Europe. The author then discusses the characteristic features of Aoki's work that have emerged from this examination of previous research on the painter and attempts a reevaluation of his art. As a result, it will be revealed that future research should accurately position the Meiji-era Western-style painter Aoki Shigeru within the context of modern Japanese art history, while at the same time treating him, from a cultural interaction studies perspective, as part of a global fin de siècle movement. | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 48, p. 389-405, 発行日 2015-04-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
