@article{oai:kansai-u.repo.nii.ac.jp:00019372,
 author = {张, 米琪},
 journal = {文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures},
 month = {Nov},
 note = {Ouyang Xiu was a literary leader in the Northern Song Dynasty. He not only made achievements in the field of literature, but also achieved considerable accomplishments in calligraphy. Ouyang Xiu’s contribution to calligraphy is mainly reflected in his new calligraphy theories, which also laid the foundation for the formation of the "Shangyi" writing style in the Song Dynasty. Through Ouyang Xiu's calligraphy theory and calligraphy works, one can summarize his calligraphic thoughts, which are "Yide Weixian" (prioritizing morality), "Xueshu Weile" (studying calligraphy gives joy), "Zicheng Yijia" (have your own innovative style), and "Xueshu Youfa" (learning calligraphy can’t be without rules). This article investigates the spread of Ouyang Xiu's calligraphy theory-inspired works in Japan, the Ouyang Xiu's calligraphy theories was quoted in Japanese calligraphy theories, and Ouyang Xiu's calligraphy thought was embodied in "Wuzhutang Shuhua", exploring the acceptance of Ouyang Xiu's calligraphy thinking and approach in Japan.},
 pages = {151--169},
 title = {欧阳修书学思想在日本的受容},
 volume = {10},
 year = {2020}
}