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荒川＋ギンズにおける「使用法」の使用法 : 「バランスを失う」ことと積極的受動態の構え
https://doi.org/10.32286/00020440
https://doi.org/10.32286/00020440e1e198e8-0fb8-4f7a-bb2f-fc5fd550b2d4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20200401-09.pdf (515.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-07-20 | |||||
| タイトル | ||||||
| タイトル | 荒川＋ギンズにおける「使用法」の使用法 : 「バランスを失う」ことと積極的受動態の構え | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00020440 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | How to use "Directions for use" of Arakawa＋Gins' architectural works : "losing balance" and the bodily set of "Positive Passivity" | |||||
| 著者 |
小室, 弘毅
× 小室, 弘毅 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 40414 | |||||
| 姓名 | Komuro, Hiroki | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Contemporary artist Shusaku Arakawa(1936–2010) published a series of architectural works since the 1990s. The most important concept of Arakawa and his partner, Madelin Gins, is Reversible Destiny. They created these architectural works to realize "Reversal of Destiny," and most of these architectural works are accompanied by "Directions for Use." Only when the "Directions for Use" are used in an appropriate way will these architectural works become the "Reversible Destiny" architectures. Arakawa＋Gins' architectural works are full of tricks aimed at "losing balance." They hold the view that "losing balance" physically is important in "Reversible Destiny." However, this paper opines that "Directions for Use" exist so that when persons who experience the "Reversible Destiny" architectures become the sense of somatic "losing balance," they can respond more effectively in the direction of Arakawa＋Gins' goal of "Reversible Destiny." In our discussion, we use the term "the bodily sets" to describe how we interact with the world (environment) somatically. First, we examine "the bodily sets" and consider them in relation to the state of consciousness and technique of mindfulness. Second, we clarify that Arakawa＋Gins' architectural works are aimed at "losing our balance" and examine their intended meaning. Therefore, this paper explores how to use the "Directions for Use" presented by Arakawa＋Gins along with their architectural works. | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 53, p. A41-A59, 発行日 2020-04-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0004709X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 荒川修作 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 天命反転 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 「使用法」 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | マインドフルネス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 積極的受動態 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Shusaku ARAKAWA | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Reversible Destiny | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | "Directions for use" | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Mindfulness | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Positive Passivity | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
