@article{oai:kansai-u.repo.nii.ac.jp:00016384,
 author = {増田, 周子 and Masuda, Chikako},
 journal = {関西大学東西学術研究所紀要},
 month = {Apr},
 note = {Takeshi Kaikou's "Nihon Sanmon Opera" is an outstanding piece of literature written about Osaka. When this work was published, Hideo Odagiri commented about the first series of the novel. He stated that '''Nihon Sanmon Opera''' in 'Bungakukai' is a masterpiece that indicates 'new literary development''' "Shukan Dokushojin" December 22, 1958." The first series of the novel was read with hope by many people. However, as the serialization progressed, it became clear that the latter half did not meet the expectations of its audience. The nagging question is : Is the second half of the work really bad as many critics state? Mss, Kim, a resident of Japan, analyzed the work with the aim of organizing it and ensuring congruence. This paper explores the new "Nihon Sannmon Opera," which was put together by Kim who lived in Japan while analyzing the work.},
 pages = {55--72},
 title = {開高健『日本三文オペラ』論 : 在日朝鮮人キムの役割の重要性},
 volume = {53},
 year = {2020}
}