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從外務省記錄看日華古今繪畫展覽會
http://hdl.handle.net/10112/00020029
http://hdl.handle.net/10112/00020029635062f2-819d-4b28-b520-78829f406df8
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-04-10 | |||||
| タイトル | ||||||
| タイトル | 從外務省記錄看日華古今繪畫展覽會 | |||||
| 言語 | ||||||
| 言語 | zho | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Ancient and Modern Painting Exhibition between Japan and China from the Records of the Ministry of Foreign Affairs of Japan | |||||
| 著者 |
邱, 吉
× 邱, 吉 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 39414 | |||||
| 姓名 | Qiu, Ji | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | From April 28th to May 31th, 1931 (Showa 6) , the Ancient and Modern Painting Exhibition between Japan and China (Sino-Japanese Exhibition) was first held at the Tokyo Metropolitan Art Museum and the Tokyo Imperial Household Museum at the same time. After that, the exhibits transferred, and displayed at the Osaka Prefectural Trade Center. Among all the exhibits, about 1400 paintings came from China, and about 250 paintings came from Japan. The Bureau of "Sino-Japanese Exhibition" was instituted at the library of the Tokyo Fine Arts School (current as Tokyo University of the Arts) , and it was supported by the "Special Accounting for the Japanese Cultural Policy toward China" from the Ministry of Foreign Affairs of Japan, which purposed to publish the fine selections of the exhibition in order to a catalog of Chinese Famous Paintings in Song, Yuan, Ming, Qing Dynasty. This paper aims to illuminate the process of the "Sino-Japanese Exhibition," by which based on the "Ministry of Foreign Affairs Records" of Japan. It also purposes to elucidate the political background, reasons, and meanings of the exhibition. In addition, it elaborates on the acceptance of Chinese painting in the modern Japan, examines Japan's art policy toward China in the 1920s and 1930s from the perspective of "cultural diplomacy", and explores the relationship between the art exchange and international politics. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 中谷伸生教授古稀記念号 | |||||
| 書誌情報 |
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 13, p. 415-431, 発行日 2020-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12327433 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Ministry of foreign affairs records | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Sino-Japanese painting exhibition | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Cultural policy toward China | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Cultural diplomacy | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 外務省記録 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日華古今絵画展覧会 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 対支文化事業 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 文化外交 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||