@article{oai:kansai-u.repo.nii.ac.jp:00015933,
 author = {中谷, 伸生 and Nakatani, Nobuo},
 journal = {東アジア文化交渉研究 = Journal of East Asian cultural interaction studies},
 month = {Mar},
 note = {The Portrait of Kimura Kenkado (owned by Osaka Prefectural Board of Education) was painted by TANI Buncho (1763-1841) in 1802. The grinning expression of KIMURA Kenkado (1736-1802) in the painting is unusual among East Asian portraits before the nineteenth century. The main questions addressed in this paper are : 1) the issue of the forgery of Kenkado's paintings, especially of his mid-career works, 2) the influence of ITO Jakuchu on the shifting style of Kenkado, and 3) the question of why Kenkado's later paintings adopted a more realistic mode of representation. Lastly, this paper will suggest the possibility that Kenkado's bereaved family specifically requested Buncho to paint the portrait of Kenkado with a smile. It is also argued that Buncho, as a close acquaintance and admirer of Kenkado, painted the portrait with a similar intent to his family., 中谷伸生教授古稀記念号, 本研究は科学研究費補助金 基盤研究 (B) 「木村蒹葭堂“知”のネットワークの解析」（代表：橋爪節也）〔2018年度～2020年度〕における成果の一部である。},
 pages = {31--57},
 title = {木村蒹葭堂はなぜ笑っているのか : 研究をめぐる疑問と課題と仮説},
 volume = {13},
 year = {2020}
}