@article{oai:kansai-u.repo.nii.ac.jp:00013073,
 author = {髙橋, 沙希},
 journal = {関西大学東西学術研究所紀要},
 month = {Apr},
 note = {Aoki Shigeru (1882-1911), the Meiji-period Western-style artist, changed his style after his painting Paradise under the Sea (1907). Specifically, in his latter works, he selected realistic nature and people as subjects rather than history or myths that require imagination, and he used calm brush strokes that were distinct from his previous strokes. However, Aoki painted landscapes through almost his entire career and not just in the latter period. There are considerable evaluations of some of his landscape paintings, and commentaries and evaluations have already been made in the previous studies. However, there has been little commentary on his smaller works and sketches, and they have never been mentioned in a collective form. Therefore, in this paper, after summarizing the previous evaluation on Aoki's sketches, the author analyzed characteristic features of Aoki's landscape painting in three periods: the first term (1882-1903), the middle term (1904-1907), and the late term (1908-1911).  Additionally, I will also refer to the influences of Aoki's imagination on his landscape paintings.},
 pages = {A163--A189},
 title = {日本近代洋画における青木繁の風景画},
 volume = {52},
 year = {2019}
}