WEKO3
アイテム
日中韓におけるアンフォルメル様式の展開と独自性
http://hdl.handle.net/10112/9905
http://hdl.handle.net/10112/99056115d037-e29f-4878-8f29-ccf05b7fb517
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20140930-04.pdf (1.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-04-11 | |||||
| タイトル | ||||||
| タイトル | 日中韓におけるアンフォルメル様式の展開と独自性 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Development and Originality of the Informel Art Style in Japan, China and Korea | |||||
| 著者 |
中島, 小巻
× 中島, 小巻 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 30516 | |||||
| 姓名 | Nakajima, Komaki | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Based on their experiences during the Second World War, Wols （1913-1951）, Jean Fautrier （1898-1964） and Jean Dubufett （1901-1985） each exhibited works at the Rune Douran gallery. These works, using unique abstract expressions revealed the inner world of the self. Michel Tapié, a French art critic, inspired by the works of these three artists held an exhibition in 1951 titled Véhémences Confrontées. It was here that “Hot Abstract”, anti-representational paintings by George Mathieu （1921-2012）, Jackson Pollock （1912-1956）, and Willem de Kooning （1904-1997） were exhibited. Informel painting is an abstract painting style, where an artist attempts to express their self-possibility as it is on the canvas without relying on realistic and formalistic expressive techniques. Informel style, as advocated by Tapie, is a painting style that could be found in art circles all over the world during roughly the same period. This also includes East Asia. However, because the Informel style in East Asia has been criticized by Western art critics as being “an imitator of abstract expression”, most previous research on the Informel style in East Asia has focused on the influences of the West, and as a result the original aspects of these works have for the most part been neglected. This paper shall attempt to reveal these unique and original aspects of the Informel style by exploring the development of this art form in Japan, China and Korea. |
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| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 東アジアの言語と表象 | |||||
| 書誌情報 |
文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 巻 3, p. 55-73, 発行日 2014-09-30 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 21874395 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12712795 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | アンフォルメル絵画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 具体美術協会 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 現代美術家協会 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 趙無極 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学（Kansai University） | |||||
