WEKO3
アイテム
『画図百花鳥』に関する考察
http://hdl.handle.net/10112/9804
http://hdl.handle.net/10112/980491c1c6ce-1f97-4732-88af-a14f554eec49
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20130131-03.pdf (1.8 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-03-23 | |||||
| タイトル | ||||||
| タイトル | 『画図百花鳥』に関する考察 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Study about ‘One Hundred Pictures of Flowers and Birds’ | |||||
| 著者 |
石田, 智子
× 石田, 智子 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 30433 | |||||
| 姓名 | Ishida, Tomoko | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | ‘One Hundred Pictures of Flowers and Birds’ is the book published in 1719 by Sekichushi. It is said that it is a copy of the sketchbook painted by Kanō Tan’yu and Tsunenobu. We cannot prove that this book is a direct copy of the sketchbook because the sketchbook does not exist now. However, in ‘One Hundred Pictures of Flowers and Birds’, there are a lot of the same images as the images of paintings by Tan’ yu and Tsunenobu. Several scholars said that the Inro designers in the Edo used the images ‘One Hundred Pictures of Flowers and Birds’ for their works. ‘One Hundred Pictures of Flowers and Birds’ and the other books published in the Edo period were good image sources of the painters and the designers in the Edo. In such books, there are a lot of same images as the image painted by the Kano school painters. Kanō school painters could have opportunities for copying Chinese paintings and Japanese older paintings and sketching rare animals and plants because they worked for Shogun, who had many rare things. ‘One Hundred Pictures of Flowers and Birds’ that had many images of rare birds and flowers was the valuable book for the painters and the designers because there were not photographs in the Edo period. Analyzing ‘One Hundred Pictures of Flowers and Birds’ and related works, we can understand that the images of Kanō school painters were spread widely in the Edo period. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 東アジアの言語と表象 | |||||
| 書誌情報 |
文化交渉 : Journal of the Graduate School of East Asian Cultures : 東アジア文化研究科院生論集 巻 1, p. 49-65, 発行日 2013-01-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 21874395 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12712795 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 画図百花鳥 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 狩野探幽 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 狩野常信 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 印籠 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 観松斎飯塚桃葉 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学（Kansai University） | |||||
