@article{oai:kansai-u.repo.nii.ac.jp:00012558,
 author = {中谷, 伸生 and Nakatani, Nobuo},
 journal = {東アジア文化交渉研究 = Journal of East Asian cultural interaction studies},
 month = {Mar},
 note = {Japanese print artist Tetsuro Komai found inspiration in the darkness of Noir drawings and lithographs by 19th-century French printmaker Odilon Redon. This paper, however, does not intend to provide commentary on Komai's work influenced by Redon. Instead, it argues that Komai and Redon both depicted their own version of "darkness" with black, by referring to Redon's Noirs. The ultimate goal is to reveal how the two print artists who lived in different times were touched by a common genius, so to speak, and essentially produced black artworks synchronically., 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点, 松浦章教授古稀記念号, [東アジアの言語と表象]},
 pages = {69--86},
 title = {駒井哲郎とルドンの「黒」},
 volume = {10},
 year = {2017}
}