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日本近代洋画と文化交渉学－鹿子木、萬、前田、そしてサロン・ド・メ－
http://hdl.handle.net/10112/9151
http://hdl.handle.net/10112/915183bbd060-88a6-4b0d-9bc5-25290f37a844
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20150331-03.pdf (3.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2015-06-15 | |||||
| タイトル | ||||||
| タイトル | 日本近代洋画と文化交渉学－鹿子木、萬、前田、そしてサロン・ド・メ－ | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| その他のタイトル | ||||||
| その他のタイトル | Modern Japanese paintings (Yoga) and Cultural Interaction Studies -The artworks of Kanokogi, Yorozu, Maeta, and painters following the French Salon de Mai group of artists- | |||||
| 言語 | en | |||||
| 著者 |
中谷, 伸生
× 中谷, 伸生 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Since the Edo era, among the collections of modern Japanese art, "Yoga", or oil paintings followed Chinese culture and paintings，but subsequent new developments in "Yoga" were achieved during the Meiji era by gradually stepping out of the traditional ways of Chinese painting. This article presents a new aspect of cultural interaction studies in Japanese modern "Yoga" by considering the works of Japanese artists such as Kanokogi Takeshiro, Yorozu Tetsugoro, Maeta Kanji, and those who were greatly influenced by the French group of artists called the "Salon de Mai". The painters discussed in this article were active in the Meiji, Taisho, and early Showa eras as well as the period immediately after the 2nd World War. The characteristics of their painting are analyzed in order to examine a new category of studies of cultural interaction on Japanese art history through an introduction of artistic modification and interaction with Western culture. The artworks of Japanese painters who appreciated artistic skills in Western-style art and culture are discussed, but this article places a particular emphasis on how modern Japanese "Yoga" has been evaluated in the history of Japanese art. | |||||
| 言語 | en | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点 | |||||
| 言語 | ja | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 東アジアの言語と表象 | |||||
| 言語 | ja | |||||
| 書誌情報 |
ja : 東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 8, p. 35-56, 発行日 2015-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学 大学院東アジア文化研究科 | |||||
| 言語 | ja | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 鹿子木孟郎 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 萬鐡五郎 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 前田寛治 | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | サロン・ド・メ | |||||
