@article{oai:kansai-u.repo.nii.ac.jp:00012352,
 author = {石田, 智子},
 journal = {東アジア文化交渉研究 東アジア文化研究科開設記念号},
 month = {Mar},
 note = {In this essay, I consider about the meaning of the works of the Kanō school painters in the Edo period who repeatedly used the same motifs, compositions, patterns and designs as the older paintings' through analyses of Paulownia and Phoenixes of Kanō Tan'yū and the related works. Phoenix, though it had been regarded as Buddhist subject in Japan when it had been introduced from China, was regarded as the symbol of the good statesman in the end of the Muromachi period and the Momoyama period, and the Kano school painters worked on many paintings of Paulownia and Phoenixes. Paulownia and Phoenixes of Kanō Tan'yū had more Confucianism meanings because of five Phoenixes. Moreover the painters of Kobikichō Kanō School in the Edo period gave this subject the authority by making the similar paintings repeatedly; meanwhile, Tachibana Morikuni who had studied in the Kanō school published a book which carried the same pattern of Phoenix painted by Tan'yū. Finally, the same pattern of Phoenix appeared in Ukiyoe paintings.},
 pages = {91--109},
 title = {狩野探幽筆 《桐鳳凰図屏風》 と鳳凰図様の伝播},
 year = {2012}
}