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日本中世の古記録から見る中国画人・絵画の記載
http://hdl.handle.net/10112/6141
http://hdl.handle.net/10112/61412e01d00c-d005-4c07-a28f-969bc487392d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
3-11-34_SHOU Shushu.pdf (1.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-02-22 | |||||
| タイトル | ||||||
| タイトル | 日本中世の古記録から見る中国画人・絵画の記載 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | A Study of Chinese Painters and Paintings in View of Japanese Medieval Records | |||||
| 著者 |
寿, 舒舒
× 寿, 舒舒 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Along with the deepening cultural communication between Japan and China, the exchange of painting and calligraphy has been the subject of much academic scrutiny. This paper will study Chinese painters and paintings through an historical examination of the exchange between Japan and China based on medieval Japanese records. The careful analysis of these records of Chinese painters and paintings will reveal the conditions of medieval cultural and commercial communication between China and Japan, the relevance of Chinese artists in Japan and, most importantly, illuminate the cultural impact and integration of Chinese and Japanese ideology. This paper develops the idea of reciprocity in trade and the exchange of thought between China and Japan. The spread of painting as a form of art differs from that of language and literature as the latter relies upon the use of words with strong historical and regional associations. Therefore, with the introduction of Chinese culture to Japan through writing, the Japanese encountered formidable diffi culties in absorbing elements of Chinese culture into their own as many concepts indigenous to China embodied in language eluded direct translation into Japanese. Paintings, however, are not only free from the restriction of language, they are also more subjective than writing, which means people can appreciate this form of art regardless of cultural background. |
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| 書誌情報 |
東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies 巻 5, p. 473-488, 発行日 2012-02-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学文化交渉学教育研究拠点（ICIS） | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 唐物 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 往来物 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 古辞書 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 御行記 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 御成記 | |||||
| シリーズ | ||||||
| 関連名称 | Vol.5 | |||||
