@article{oai:kansai-u.repo.nii.ac.jp:00012279,
 author = {増田, 周子 and Masuda, Chikako},
 journal = {東アジア文化交渉研究 = Journal of East Asian Cultural Interaction Studies},
 month = {Mar},
 note = {Hino Ashihiei’s “Black Birthmarks on the White Faces” is a short story from a series of elegantly humorous Chinese stories. He based his work on the Chinese short story “Zuiun” that is part of a large 18th-century compilation of stories known as the “Ryōsai shi’i”. Ashihei incorporated and modified the original to meet his own unique interpretation of the modern novel. There is something remarkable in his discernment of humanity, and “Black Birthmarks on the White Faces” soundly critiques human opportunism. This research compares “Black Birthmarks on the White Faces” against the original “Zuiun” from the “Ryōsai shi’i”, and pursues Ashihei’s ubiquitous themes of humanity and what humanity should be, with the hope that it will clarify one aspect of East Asia’s cultural heritage, its transmission, reception, transformation, and creation.},
 pages = {21--32},
 title = {火野葦平「白い顔に黒い痣」論―『聊齋志異』「瑞雲」の受容と改変―},
 volume = {4},
 year = {2011}
}