2026-03-05T14:58:09Z https://kansai-u.repo.nii.ac.jp/oai

oai:kansai-u.repo.nii.ac.jp:00024049 2023-05-15T14:27:53Z 528:1721:1722:3206

青木正児著『支那近世戯曲史』の漢訳と評価について The Chinese Translation of Aoki Masaru’s The History of Modern Chinese Opera and Its Influence 辜, 承堯 Aoki Masaru The History of Modern Chinese Opera Chinese Translation Zheng Zhen 青木正児 『支那近世戯曲史』 漢訳 鄭震 関西大学 Kansai University In 1930, Aoki Masaru published The History of Modern Chinese Opera after Wang Guowei’s The History of Opera in Ming and Qing Dynasties. This work is mainly composed of two papers, From Kunqu Opera to Beijing Opera (1926) and The Evolution from Southern Opera to Northern Opera (1928). Aoki’s two papers and works were translated into Chinese as soon as they were published and widely disseminated in China. According to the author’s investigation, there are three kinds of these translations published in magazines, two in the form of pamphlets and as many as seven in the form of books. By comparing the Chinese translation with the original, this paper finds that all the early translations are faithful to the original works, except that Zheng Zhen added a large number of his own views to the translated work at will. However, most of these translations use the words of Chinese characters in the original works directly, which makes the translation more rigid. It can be said that Aoki’s work has a great influence on the empirical study of the history of modern Chinese opera. 関西大学大学院東アジア文化研究科 2023-03-31 jpn departmental bulletin paper VoR https://doi.org/10.32286/00028059 http://hdl.handle.net/10112/00028059 https://kansai-u.repo.nii.ac.jp/records/24049 10.32286/00028059 AA12327433 18827748 東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 16 359 374 https://kansai-u.repo.nii.ac.jp/record/24049/files/KU-1100-20230331-22.pdf application/pdf 4.0 MB 2023-03-30