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        <identifier>oai:kansai-u.repo.nii.ac.jp:00012746</identifier>
        <datestamp>2023-05-15T20:08:49Z</datestamp>
        <setSpec>528:1721:1736:1743</setSpec>
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          <dc:title>土田麦僊と国画創作協会をめぐって : 後期国展を中心に</dc:title>
          <dcterms:alternative>Tsuchida Bakusen and the Kokuga Sosaku Kyokai : Focusing on the Latter Exhibitions of the Kokuten</dcterms:alternative>
          <jpcoar:creator>
            <jpcoar:creatorName>豊田, 郁</jpcoar:creatorName>
          </jpcoar:creator>
          <jpcoar:subject subjectScheme="Other">関西大学</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">Kansai University</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">土田麦僊</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">国画創作協会</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">村上華岳</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">国展型</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">芸術観</jpcoar:subject>
          <datacite:description descriptionType="Other">Tsuchida Bakusen (1887-1936) can be understood as a leader of the innovative Kokuga Sosaku Kyokai (National Creative Painting Association). This paper explores the relationship of Tsuchida Bakusen with the activities of the Kokuga Sosaku Kyokai. It especially focuses on the latter period of the Kokuten from 1924 to 1928. Two problems are considered: the process and the background of the dissolution, Bakusen's works and the evaluation of those works. The results of this paper show that Bakusen's works during the latter period of the Kokuten pursued an aesthetic that was quiet, everlasting, and formed by clear lines and colors. It is argued that Bakusen's philosophy of art was unique in the Kokuten.</datacite:description>
          <dc:publisher>関西大学大学院東アジア文化研究科</dc:publisher>
          <datacite:date dateType="Issued">2017-11-30</datacite:date>
          <dc:language>jpn</dc:language>
          <dc:type rdf:resource="http://purl.org/coar/resource_type/c_6501">departmental bulletin paper</dc:type>
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          <jpcoar:identifier identifierType="HDL">http://hdl.handle.net/10112/11527</jpcoar:identifier>
          <jpcoar:identifier identifierType="URI">https://kansai-u.repo.nii.ac.jp/records/12746</jpcoar:identifier>
          <jpcoar:sourceIdentifier identifierType="NCID">AA12712795</jpcoar:sourceIdentifier>
          <jpcoar:sourceIdentifier identifierType="ISSN">21874395</jpcoar:sourceIdentifier>
          <jpcoar:sourceTitle>文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures</jpcoar:sourceTitle>
          <jpcoar:volume>7</jpcoar:volume>
          <jpcoar:pageStart>3</jpcoar:pageStart>
          <jpcoar:pageEnd>24</jpcoar:pageEnd>
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            <datacite:date dateType="Available">2019-05-23</datacite:date>
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