2026-03-10T12:53:04Z https://kansai-u.repo.nii.ac.jp/oai

oai:kansai-u.repo.nii.ac.jp:00012450 2023-05-15T19:06:34Z 528:1721:1722:1731

王朝世界の風景表現 －大樹寺障壁画の位置づけ The description of a landscape of Dynasty world -About the wall paintings in the Daijuji temple 日並, 彩乃 復古大和絵 冷泉為恭 大樹寺 やまと絵 仏画 This work sets out the description of a view of Dynasty world in Reizei Tamechika's works. Tamechika is a painter of Fukko yamato-e (restoration of Japanese painting). Fukko yamato-e was a movement at the end of the Edo period, focused on the restoration of a traditional style of Japanese painting based on the masterpieces of the Heian and Kamakura eras. The wall paintings in the Daijuji temple is the most important work in his paintings. But, when the viewer saw this, this gives a strange impression in them because this is not the same as his usual sytle. His works is composed the two regions of the many Yamato-e work and the Buddhist paintings. I discovered the similar style in his Buddist paintings to that in Daijuji temple. This unique disruption of landscape is elucidated by the cross to consider the subject of Buddhist paintings and Yamato-e. In conclusion，I find the position of the wall paintngs in Daijuji temple in his works． 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点 東アジアの言語と表象 関西大学 大学院東アジア文化研究科 2015-03-31 jpn departmental bulletin paper VoR http://hdl.handle.net/10112/9153 https://kansai-u.repo.nii.ac.jp/records/12450 18827748 東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 8 75 91 https://kansai-u.repo.nii.ac.jp/record/12450/files/KU-0400-20150331-05.pdf application/pdf 2.7 MB 2019-05-23