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フランツ・マルクの絵画 : 純粋抽象への途
https://doi.org/10.32286/00027805
https://doi.org/10.32286/000278050f9d5f47-70aa-44ff-bf65-b0cec7d4363d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20221231-01.pdf (1.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2023-01-30 | |||||
| タイトル | ||||||
| タイトル | フランツ・マルクの絵画 : 純粋抽象への途 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00027805 | |||||
| ID登録タイプ | JaLC | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Art of Franz Marc : The Path to Pure Abstraction | |||||
| 言語 | en | |||||
| 著者 |
岡本, 吉光
× 岡本, 吉光 |
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| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Marc aimed for "pure painting" based on the artist's vital emotions as a means of expression using animal painting with the inner spiritual "animalization of art" as the guiding principle of sensing and expressing the essence of the natural world. However, in his later works after the publication of the annual magazine "The Blue Rider", he changed from figurative expression centered on animal paintings to abstract expression. The immediate impetus for this was his encounter with Italian Futurism and Robert Delaunay's Orphism. The reasons for Marc's acceptance of these new arts and how they influenced his artistic philosophy and production have not always been fully studied. In this paper, we clarify the reasons for Marc's acceptance of Futurism and Delaunay's Orphism, and what kind of influence it had on Marc's art, by examining Marc's letters, Marc's essays, and previous research, and clarify the path from figurative animal painting to pure abstraction. I aimed to do that. The reason Marc accepted Futurism and Delaunay's Orphism was that he believed that these new arts were on common ground with Marc's goal of "pure painting" and would contribute to its realization. The influence of Futurism on Marc's work, especially Boccioni, is expressed in the acceptance of the dynamic compositional expression of Futurism in many of the works of the late Marc period. It is no exaggeration to say that the color cubism, named Orphism, left traces of its influence in almost all of Marc's later works due to its transparent prisms, faceted surfaces, and mesh patterns of moving color planes. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 関西大学芸術学美術史研究学会eジャーナル 巻 3, p. 1-23, 発行日 2022-12-31 |
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| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学芸術学美術史研究学会 | |||||
| 言語 | ja | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | フランツ・マルク | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 芸術の動物化 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 未来派 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | オルフィスム | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 純粋絵画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Franz Marc | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Animalization of Art | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Futurism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Orphism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Pure Painting | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
