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詩人のFelt Meaning : 荒川修作、マドリン・ギンズの遺稿研究にむけて
http://hdl.handle.net/10112/16169
http://hdl.handle.net/10112/161696b5a558d-5460-477f-a0d2-2cd79bed4cdd
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0400-20180401-16.pdf (467.9 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-07-30 | |||||
| タイトル | ||||||
| タイトル | 詩人のFelt Meaning : 荒川修作、マドリン・ギンズの遺稿研究にむけて | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | Felt Meaning in Poetry : A Study of Manuscripts by Arakawa & Gins | |||||
| 著者 |
三村, 尚彦
× 三村, 尚彦 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 4610 | |||||
| 姓名 | Mimura, Naohiko | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Shusaku Arakawa (1936-2010) - a modern artist - and Madeline Gins (1942-2014) - a poet - interacted with numerous scientists, thinkers and philosophers, attempting to integrate science and philosophy into art. Among such scientists was Eugene Gendlin (1926-2017), a world-renowned advocate for focusing-oriented psychotherapy. Although it was known that Gendlin was writing a paper on Arakawa and Gins, until recently little was understood about what kind of interests Arakawa and Gins had in the Gendlin philosophy. In 2017, I examined manuscripts by Arakawa and Gins, which revealed that Eugene Gendlin had close academic relationships with Arakawa and Gins. Arakawa and Gins were interested in the function of blanks in poetry studied by Gendlin and David Kolb; Arakawa and Gins made notes on this, to which I succeeded in gaining access. This article focuses mainly on the arguments between Gendlin and Kolb, discussing the function of blanks in poetry and expanding on descriptions of the reasons for their different views on it. My purpose is to further advance the study of manuscripts by Arakawa and Gins. Kolb believes that the two categories of 1) symbols and 2) blanks represent felt meaning, and that they are independent discrete concepts that interact with each other, whereas Gendlin believes that these two categories are presented a priori, and that they do not interact with each other or provide support as discrete entities. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 本研究はJSPS科研費JP17H02289のにおける成果の一部である。 | |||||
| 書誌情報 |
関西大学東西学術研究所紀要 巻 51, p. A79-A100, 発行日 2018-04-01 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02878151 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN0004709X | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学東西学術研究所 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 荒川修作 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Shusaku ARAKAWA | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | マドリン・ギンズ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Madeline Gins | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ユージン・ジェンドリン | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Eugene Gendlin | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ブランク | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Blank | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 天命反転 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Reversible Destiny | |||||
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Cite as
三村, 尚彦, 2018, 詩人のFelt Meaning : 荒川修作、マドリン・ギンズの遺稿研究にむけて: 関西大学東西学術研究所, A79–A100 p.
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