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中谷翫古と日本近代彫刻 : 明治期を中心に
http://hdl.handle.net/10112/16768
http://hdl.handle.net/10112/16768308b1f82-277f-4a07-9ffb-119d20bf00e6
名前 / ファイル | ライセンス | アクション |
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KU-1100-20190331-06.pdf (1.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-04-12 | |||||
タイトル | ||||||
タイトル | 中谷翫古と日本近代彫刻 : 明治期を中心に | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | Sculptor Nakatani Ganko and modern Japanese sculpture : Focusing on the Meiji period | |||||
著者 |
石川, 哲子
× 石川, 哲子 |
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著者別名 | ||||||
姓名 | Ishikawa, Tetsuko | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | After the Meiji Restoration, the modelling technique was introduced from the Europe, so the field of sculpture greatly changed in Japan. Most sculptors became to make a work by the modeling, not the carving from wood or ivory, and when the works of Auguste Rodin were introduced in Japan, this tendency grew. So, the wood sculpture fell into a crisis of the decline. Under such circumstances, there were a lot of sculptors who concentrate on the wood sculpture. Still, it was not often paid more attention, except some sculptors This paper looks at Nakatani Ganko (1868-1937), noted Japanese sculptor, regarded the sculpture form as a fine art and worked earlier in the transition period from an ornament for Tokonoma to a fine art of the values in the sculpture. He came from the country and was appreciated in some of Tokyo's artistic circles, but was largely unknown today, as were his creative activities, and most of his works have sadly been lost. And he is one of the sculptors who have been disregarded. This paper focus on one side of the history of the Japanese modern sculpture by considering it through the his activities how did he intend a wood sculpture in the Meiji period that greatly changed. | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点 | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | [東アジアの言語と表象] | |||||
書誌情報 |
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 12, p. 67-79, 発行日 2019-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18827748 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12327433 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 関西大学大学院東アジア文化研究科 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 中谷翫古 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 中谷省古 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 日本近代彫刻 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 木彫 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 平櫛田中 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 関西大学 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Kansai University |